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Liepe, L. (2018). A Case for the Middle Ages: The Public Display of Medieval Church Art in Sweden 1847–1943. Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien
Åpne denne publikasjonen i ny fane eller vindu >>A Case for the Middle Ages: The Public Display of Medieval Church Art in Sweden 1847–1943
2018 (engelsk)Bok (Fagfellevurdert)
sted, utgiver, år, opplag, sider
Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien, 2018. s. 265
Serie
Kungl. Vitterhets-, historie- och antikvitetsakademien handlingar. Antikvariska serien, ISSN 0083-6761 ; 55
Emneord
museum, display, exhibition, church, art, Middle Ages
HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-74476 (URN)978-91-7402-461-6 (ISBN)
Tilgjengelig fra: 2018-05-22 Laget: 2018-05-22 Sist oppdatert: 2018-08-08bibliografisk kontrollert
Liepe, L. (2018). Från kyrkvinden till museimontern: Kyrkdalen på Smålands museum 1886–1925 : Fyrtio års utställningshistoria. HumaNetten (40), 43-56
Åpne denne publikasjonen i ny fane eller vindu >>Från kyrkvinden till museimontern: Kyrkdalen på Smålands museum 1886–1925 : Fyrtio års utställningshistoria
2018 (svensk)Inngår i: HumaNetten, E-ISSN 1403-2279, nr 40, s. 43-56Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm)) Published
sted, utgiver, år, opplag, sider
Växjö: Linnaeus University Press, 2018
HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-76378 (URN)10.15626/hn.20184005 (DOI)
Tilgjengelig fra: 2018-06-25 Laget: 2018-06-25 Sist oppdatert: 2018-06-26bibliografisk kontrollert
Liepe, L. (2018). Introduction. In: Lena Liepe (Ed.), The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages (pp. 1-10). Kalamazoo: Medieval Institute Publications
Åpne denne publikasjonen i ny fane eller vindu >>Introduction
2018 (engelsk)Inngår i: The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages / [ed] Lena Liepe, Kalamazoo: Medieval Institute Publications, 2018, s. 1-10Kapittel i bok, del av antologi (Fagfellevurdert)
sted, utgiver, år, opplag, sider
Kalamazoo: Medieval Institute Publications, 2018
Serie
Studies in Iconography: Themes and Variations
Emneord
Iconography, Iconology, Medieval art, Middle Ages, Theory, Method
HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-81755 (URN)9781580443432 (ISBN)9781580443449 (ISBN)
Tilgjengelig fra: 2019-04-09 Laget: 2019-04-09 Sist oppdatert: 2019-05-10bibliografisk kontrollert
Liepe, L. (2018). Preface [1]. In: Lena Liepe (Ed.), The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages (pp. 13-15). Kalamazoo: Medieval Institute Publications
Åpne denne publikasjonen i ny fane eller vindu >>Preface [1]
2018 (engelsk)Inngår i: The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages / [ed] Lena Liepe, Kalamazoo: Medieval Institute Publications, 2018, s. 13-15Kapittel i bok, del av antologi (Fagfellevurdert)
sted, utgiver, år, opplag, sider
Kalamazoo: Medieval Institute Publications, 2018
Serie
Studies in Iconography: Themes and Variations
HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-81757 (URN)9781580443432 (ISBN)9781580443449 (ISBN)
Tilgjengelig fra: 2019-04-09 Laget: 2019-04-09 Sist oppdatert: 2019-05-10bibliografisk kontrollert
Liepe, L. (2018). Preface [2]. In: Lena Liepe (Ed.), The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages (pp. 161-162). Kalamazoo: Medieval Institute Publications
Åpne denne publikasjonen i ny fane eller vindu >>Preface [2]
2018 (engelsk)Inngår i: The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages / [ed] Lena Liepe, Kalamazoo: Medieval Institute Publications, 2018, s. 161-162Kapittel i bok, del av antologi (Fagfellevurdert)
sted, utgiver, år, opplag, sider
Kalamazoo: Medieval Institute Publications, 2018
Serie
Studies in Iconography: Themes and Variations
HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-81758 (URN)9781580443432 (ISBN)9781580443449 (ISBN)
Tilgjengelig fra: 2019-04-09 Laget: 2019-04-09 Sist oppdatert: 2019-05-10bibliografisk kontrollert
Liepe, L. (2018). The Study of the Iconography and Iconology of Medieval Art: A Historiographic Survey. In: Lena Liepe (Ed.), The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages (pp. 16-45). Kalamazoo: Medieval Institute Publications
Åpne denne publikasjonen i ny fane eller vindu >>The Study of the Iconography and Iconology of Medieval Art: A Historiographic Survey
2018 (engelsk)Inngår i: The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages / [ed] Lena Liepe, Kalamazoo: Medieval Institute Publications, 2018, s. 16-45Kapittel i bok, del av antologi (Fagfellevurdert)
sted, utgiver, år, opplag, sider
Kalamazoo: Medieval Institute Publications, 2018
Serie
Studies in Iconography: Themes and Variations
Emneord
Iconography, Iconology, Medieval art, Middle Ages, Theory, Method
HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-81756 (URN)9781580443432 (ISBN)9781580443449 (ISBN)
Tilgjengelig fra: 2019-04-09 Laget: 2019-04-09 Sist oppdatert: 2019-05-10bibliografisk kontrollert
Liepe, L. (2017). ‘Affor thy shrine’: Helgon och reliker i medeltidens fromhetsliv. In: Årbok 2016: Det norske videnskaps-akademi (pp. 375-393). Oslo: Det Norske Videnskaps-Akademi
Åpne denne publikasjonen i ny fane eller vindu >>‘Affor thy shrine’: Helgon och reliker i medeltidens fromhetsliv
2017 (svensk)Inngår i: Årbok 2016: Det norske videnskaps-akademi, Oslo: Det Norske Videnskaps-Akademi, 2017, s. 375-393Kapittel i bok, del av antologi (Annet vitenskapelig)
sted, utgiver, år, opplag, sider
Oslo: Det Norske Videnskaps-Akademi, 2017
Serie
Årbok / Det norske videnskaps-akademi, ISSN 0801-2512 ; 2016
HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-72243 (URN)
Merknad

Ej belagd 180507

Tilgjengelig fra: 2018-04-05 Laget: 2018-04-05 Sist oppdatert: 2018-06-18bibliografisk kontrollert
Liepe, L. (2017). Arm i arm: Om form och innehåll hos medeltida armrelikvarier. Historisk Tidskrift för Finland, 102(4), 640-661
Åpne denne publikasjonen i ny fane eller vindu >>Arm i arm: Om form och innehåll hos medeltida armrelikvarier
2017 (svensk)Inngår i: Historisk Tidskrift för Finland, ISSN 0046-7596, E-ISSN 2343-2888, Vol. 102, nr 4, s. 640-661Artikkel i tidsskrift (Fagfellevurdert) Published
sted, utgiver, år, opplag, sider
Historiska föreningen (Finland), 2017
HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-72241 (URN)
Tilgjengelig fra: 2018-04-05 Laget: 2018-04-05 Sist oppdatert: 2019-09-06bibliografisk kontrollert
Liepe, L. (Ed.). (2017). Matter and materiality in the study of medieval art: Konsthistorisk tidskrift/Journal of Art History, Volume 86, Issue 3, 2017. Paper presented at Matter and materiality in the study of medieval art : The Annual art history research seminar, IFIKK Dec. 4–5. 2015. Taylor & Francis
Åpne denne publikasjonen i ny fane eller vindu >>Matter and materiality in the study of medieval art: Konsthistorisk tidskrift/Journal of Art History, Volume 86, Issue 3, 2017
2017 (engelsk)Konferanseproceedings (Fagfellevurdert)
sted, utgiver, år, opplag, sider
Taylor & Francis, 2017. s. 127
Serie
Konsthistorisk tidskrift/Journal of Art History, ISSN 0023-3609 ; 86(3)
HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-72261 (URN)
Konferanse
Matter and materiality in the study of medieval art : The Annual art history research seminar, IFIKK Dec. 4–5. 2015
Tilgjengelig fra: 2018-04-05 Laget: 2018-04-05 Sist oppdatert: 2018-04-17
Liepe, L. (2016). Arm-in-arm: The meaning-making of relics and reliquaries from the Middle Ages to the present. In: Changing Senses of Sacrality: Objects, Beliefs and Performances from the Medieval to the Early Modern Era : by Thure Galléns Stiftelse, Glossa. The Society for Medieval Studies in Finland, Centre for Nordic Studies at the Faculty of Humanitis, University of Helsinki. Swedish Historical Society in Finland, Helsinki. Paper presented at Changing Senses of Sacrality : Objects, Beliefs and Performances from the Medieval to the Early Modern Era : by Thure Galléns Stiftelse, Glossa. The Society for Medieval Studies in Finland, Centre for Nordic Studies at the Faculty of Humanitis, University of Helsinki. Swedish Historical Society in Finland, Helsinki.
Åpne denne publikasjonen i ny fane eller vindu >>Arm-in-arm: The meaning-making of relics and reliquaries from the Middle Ages to the present
2016 (engelsk)Inngår i: Changing Senses of Sacrality: Objects, Beliefs and Performances from the Medieval to the Early Modern Era : by Thure Galléns Stiftelse, Glossa. The Society for Medieval Studies in Finland, Centre for Nordic Studies at the Faculty of Humanitis, University of Helsinki. Swedish Historical Society in Finland, Helsinki, 2016Konferansepaper, Oral presentation with published abstract (Annet vitenskapelig)
Abstract [en]

Taking four arm reliquaries of Scandinavian provenance as its point of departure, this paper aims to investigate the interaction between the relic and its container, the reliquary, in the creation and communication of meaning to the beholder in the various settings in which the reliquaries in question have appeared, from the medieval sanctuary to the contemporary museum. The solutions featured by the four reliquaries for the display of the relic within are indicative of the complex approach in the Middle Ages to the visibility of relics: in the later Middle Ages, the increase in popular desire to gaze directly at holy matter such as relics was accomodated by arrangements that made the relics accessible visually, but only to a limit. In a present-day museum context, reliquaries—often sumptuous works made from precious materials—are recontextualized as museum exhibits to be enjoyed aesthetically, as examples of fine craftmanship. Sometimes the relic remains in the reliquary, at other times it is removed. Both choices raise questions regarding the ontological status of human remains, such as bones, when they become part of museum collections. What does the sight of a piece of human bone, in the context of a museum of arts and crafts or of cultural history, do to the visitor? What did the sight of the bare, or almost bare, bone mounted in a gem-studded golden container do to the medieval beholder who was fortunate enough to catch a glimpse of it? What, ultimately, happens in the physical encounter between organic nature and crafted culture that takes place when relic and reliquary are fused into a whole? 

HSV kategori
Forskningsprogram
Humaniora, Konstvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-72271 (URN)
Konferanse
Changing Senses of Sacrality : Objects, Beliefs and Performances from the Medieval to the Early Modern Era : by Thure Galléns Stiftelse, Glossa. The Society for Medieval Studies in Finland, Centre for Nordic Studies at the Faculty of Humanitis, University of Helsinki. Swedish Historical Society in Finland, Helsinki
Tilgjengelig fra: 2018-04-05 Laget: 2018-04-05 Sist oppdatert: 2018-05-03bibliografisk kontrollert
Organisasjoner
Identifikatorer
ORCID-id: ORCID iD iconorcid.org/0000-0001-5106-4547