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May, S. K., Huntley, J., Marshall, M., Miller, E., Hayward, J. A., Jalandoni, A., . . . Tacon, P. S. C. (2020). New Insights into the Rock Art of Anbangbang Gallery, Kakadu National Park. Journal of field archaeology, 45(2), 120-134
Öppna denna publikation i ny flik eller fönster >>New Insights into the Rock Art of Anbangbang Gallery, Kakadu National Park
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2020 (Engelska)Ingår i: Journal of field archaeology, ISSN 0093-4690, E-ISSN 2042-4582, Vol. 45, nr 2, s. 120-134Artikel i tidskrift (Refereegranskat) Published
Abstract [en]

This paper presents findings from a recent study of the Anbangbang Gallery in the Burrungkuy (Nourlangie) site complex of Kakadu National Park, Australia. Using new technologies alongside established methods for rock art documentation, we discuss the complexity and uniqueness of Anbangbang Gallery as an icon of Australian rock art. We have taken a comprehensive approach to our investigations, deliberately linking new technologies and scientific analysis with other archaeological and anthropological research methods. In particular, using evidence from a detailed site recording, oral histories, and pXRF analysis, we explore aspects of the site chronology, the nature of painting activity, and the retouching and repainting of earlier imagery. The findings force us to rethink the existing interpretative narrative for Anbangbang Gallery, the motivations behind previously held beliefs relating to recent rock art, and the implications this has had for ongoing conservation work in the region.

Ort, förlag, år, upplaga, sidor
Taylor & Francis Group, 2020
Nyckelord
Rock art, Arnhem Land, Kakadu, pXRF, oral history, Australia
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-91179 (URN)10.1080/00934690.2019.1698883 (DOI)000506437300004 ()
Tillgänglig från: 2020-01-23 Skapad: 2020-01-23 Senast uppdaterad: 2020-01-23Bibliografiskt granskad
Brady, L. M., May, S. K., Goldhahn, J., Tacon, P. S. C. & Lamilami, P. (2020). What painting?: Encountering and interpreting the archaeological record in western Arnhem Land, northern Australia. Archaeology in Oceania
Öppna denna publikation i ny flik eller fönster >>What painting?: Encountering and interpreting the archaeological record in western Arnhem Land, northern Australia
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2020 (Engelska)Ingår i: Archaeology in Oceania, ISSN 0728-4896, E-ISSN 1834-4453Artikel i tidskrift (Refereegranskat) Epub ahead of print
Abstract [en]

Research into contemporary Indigenous relationships with the archaeological record has increasingly drawn upon frameworks emphasising relational, affectual and cultural understandings to learn about the complex ways that meaning and symbolism are negotiated and expressed. In this paper, we use a series of case studies from Arnhem Land to investigate the network of relationships Aboriginal Traditional Owners use in the process of interpreting the archaeological record. At the core of this process is Edward Casey's idea of "grasping-together", where people draw on their social and cultural knowledge as a means to make sense out of what is being encountered and how it fits into existing frameworks of knowledge and understanding. By approaching rock art through the lens of encounter and interaction, archaeologists are in a privileged position to add another layer to the, symbolism and significance people attach to their cultural heritage today.

Ort, förlag, år, upplaga, sidor
John Wiley & Sons, 2020
Nyckelord
rock art, interpretation, meaning, Arnhem Land, reflexivity
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-94077 (URN)10.1002/arco.5208 (DOI)000525971200001 ()
Tillgänglig från: 2020-05-05 Skapad: 2020-05-05 Senast uppdaterad: 2020-05-05
Goldhahn, J. (2019). Att låta stumma stenar tala: om formandet av ett nytt arkeologiskap under 1700-talet. Vitark: Acta archaeologica Nidrosiensia, 40-57
Öppna denna publikation i ny flik eller fönster >>Att låta stumma stenar tala: om formandet av ett nytt arkeologiskap under 1700-talet
2019 (Svenska)Ingår i: Vitark: Acta archaeologica Nidrosiensia, ISSN 1501-6099, s. 40-57Artikel i tidskrift (Refereegranskat) Published
Ort, förlag, år, upplaga, sidor
Trondheim: NTNU Vitenskapsmuseet, 2019
Nyckelord
History of archaeology, 18th century archaeology, Linnæus
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-86209 (URN)
Anmärkning

ISBN of journal number: 978-82-8305-067-7

Title of journal number: Arkeologi og kulturhistorie fra norsekysten til Østersjøen: Festskrift til professor Birgitta Berglund

Editors of journal number: Ragnhild Berge, Merete Moe Henriksen

Tillgänglig från: 2019-07-05 Skapad: 2019-07-05 Senast uppdaterad: 2020-01-28Bibliografiskt granskad
Goldhahn, J. (2019). Birds in the Bronze Age: A North European Perspective. Cambridge: Cambridge University Press
Öppna denna publikation i ny flik eller fönster >>Birds in the Bronze Age: A North European Perspective
2019 (Engelska)Bok (Refereegranskat)
Ort, förlag, år, upplaga, sidor
Cambridge: Cambridge University Press, 2019. s. 446
Nyckelord
birds, ontological turn, rock art, bronze iconography, settlement, burial archaeology, cosmology
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-89503 (URN)10.1017/9781108615150 (DOI)978-1-108-49909-5 (ISBN)9781108713139 (ISBN)9781108615150 (ISBN)
Anmärkning

About the book

This book provides new insights into the relationship between humans and birds in Northern Europe during the Bronze Age. Joakim Goldhahn argues that birds had a central role in Bronze Age society and imagination, as reflected in legends, myths, rituals, and cosmologies. Goldhahn offers a new theoretical model for understanding the intricate relationship between humans and birds during this period. He explores traces of birds found in a range of archaeological context, including settlements and burials, and analyzes depictions of birds on bronze artefacts and figurines, rock art, and ritual paraphernalia. He demonstrates how birds were used in divinations, and provides the oldest evidence of omens taken from gastric contents of birds - extispicy - ever found in Europe.

Tillgänglig från: 2019-10-09 Skapad: 2019-10-09 Senast uppdaterad: 2019-11-25Bibliografiskt granskad
Goldhahn, J. (2019). In Memoriam, Lasse Bengtsson: Hans mål var att dokumentera alla hällbilder i Bohuslän. Populär Arkeologi, 2019(3), 37-37
Öppna denna publikation i ny flik eller fönster >>In Memoriam, Lasse Bengtsson: Hans mål var att dokumentera alla hällbilder i Bohuslän
2019 (Svenska)Ingår i: Populär Arkeologi, ISSN 0281-014X, Vol. 2019, nr 3, s. 37-37Artikel i tidskrift (Övrig (populärvetenskap, debatt, mm)) Published
Ort, förlag, år, upplaga, sidor
Populär arkeologi, 2019
Nyckelord
Bohusläns hällbilder, Lasse Bengtsson
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-90251 (URN)
Tillgänglig från: 2019-11-25 Skapad: 2019-11-25 Senast uppdaterad: 2020-02-19Bibliografiskt granskad
Goldhahn, J. (2019). North European rock art: a long-term perspective. In: Bruno David & Ian J. McNiven (Ed.), The Oxford Handbook of the Archaeology and Anthropology of Rock Art: (pp. 51-72). New York, NY: Oxford University Press
Öppna denna publikation i ny flik eller fönster >>North European rock art: a long-term perspective
2019 (Engelska)Ingår i: The Oxford Handbook of the Archaeology and Anthropology of Rock Art / [ed] Bruno David & Ian J. McNiven, New York, NY: Oxford University Press, 2019, s. 51-72Kapitel i bok, del av antologi (Refereegranskat)
Abstract [en]

This chapter offers a long-term perspective on rock art in northern Europe. It first provides an overview of research on the rock art traditions of northern Europe before discussing the societies and cultures that created such traditions. It then considers examples of rock art made by hunter-gatherer societies in northern Europe, focusing on the first rock art boom related to Neolithization. It also examines the second rock art boom, which was associated with social and religious changes within farming communities that took place around 1600–1400 bc. The chapter concludes by analysing the breakdown of long-distance networks in the transition from the Bronze Age to the Iron Age and its consequences for the making of rock art within the southern traditions, as well as the use of rock art sites during the Pre-Roman Iron Age, Roman Iron Age, and Migration Period.

Ort, förlag, år, upplaga, sidor
New York, NY: Oxford University Press, 2019
Nyckelord
Rock art, Archaeology, Northern Europe, long time perspective, Sweden, Norway, Finland, Denmark, Russia
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-81145 (URN)9780190607357 (ISBN)
Tillgänglig från: 2019-03-19 Skapad: 2019-03-19 Senast uppdaterad: 2020-05-27Bibliografiskt granskad
Goldhahn, J. (2019). On the archaeology of elves. In: David S. Whitley, Johannes H.N. Loubser & Gavin Whitelaw (Ed.), Cognitive Archaeology: Mind, Ethnography, and the Past in South Africa and Beyond. Routledge
Öppna denna publikation i ny flik eller fönster >>On the archaeology of elves
2019 (Engelska)Ingår i: Cognitive Archaeology: Mind, Ethnography, and the Past in South Africa and Beyond / [ed] David S. Whitley, Johannes H.N. Loubser & Gavin Whitelaw, Routledge, 2019Kapitel i bok, del av antologi (Refereegranskat)
Abstract [en]

Only a few opportunities to interpret the production and use of rock art through informed methods can be found in northern Europe. Most rock art traditions seem to have ended millennia before any historical sources that could inform us about people’s life-worlds. Exceptions to this are post-Reformation sources that connect cup marks or cupules with Elves: light fairy creatures that were easy to disturb and that could cause sickness and ill fortune if they got annoyed. This article highlights this phenomenon through historical and oral sources and through archaeological evidence. It is argued that Elf-phenomena may very well be built on older traditions, but that they found new expression through the Reformation and the Danish and Swedish state religion: Protestantism.

Ort, förlag, år, upplaga, sidor
Routledge, 2019
Serie
Routledge Studies in Archaeology
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-95252 (URN)10.4324/9781315157696-12 (DOI)9781138068674 (ISBN)
Tillgänglig från: 2020-05-27 Skapad: 2020-05-27 Senast uppdaterad: 2020-05-27Bibliografiskt granskad
Goldhahn, J. (2019). On unfolding present and past (rock art) worldings. Time & Mind, 12(2), 63-77
Öppna denna publikation i ny flik eller fönster >>On unfolding present and past (rock art) worldings
2019 (Engelska)Ingår i: Time & Mind, ISSN 1751-696X, E-ISSN 1751-6978, Vol. 12, nr 2, s. 63-77Artikel i tidskrift (Refereegranskat) Published
Abstract [en]

This paper is set out to unfold present and past (rock art) ontologies or 'worldings'. It aims to present different modes of identifications, and the often intricate relationships between humans and other-than-humans from a relational perspective, with the hope of challenging our western perception of the world. It presents some thoughts on how different ontologies are unfolded through artworks and material culture, and how these worldings differ from one another.

Ort, förlag, år, upplaga, sidor
Taylor & Francis Group, 2019
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-85633 (URN)10.1080/1751696X.2019.1610217 (DOI)000472113700002 ()2-s2.0-85067629831 (Scopus ID)
Tillgänglig från: 2019-06-19 Skapad: 2019-06-19 Senast uppdaterad: 2019-08-29Bibliografiskt granskad
Goldhahn, J. (2019). [Review of] Robert G. Gunn. Art of the Ancestors: Spatial and temporal patterning in the ceiling rock art of Nawarla Gabarnmang, Arnhem Land, Australia: Oxford: Archaeopress Archaeology; 978-1-789-69070-5 [Review]. Antiquity, 93(371), 1393-1395
Öppna denna publikation i ny flik eller fönster >>[Review of] Robert G. Gunn. Art of the Ancestors: Spatial and temporal patterning in the ceiling rock art of Nawarla Gabarnmang, Arnhem Land, Australia: Oxford: Archaeopress Archaeology; 978-1-789-69070-5
2019 (Engelska)Ingår i: Antiquity, ISSN 0003-598X, E-ISSN 1745-1744, Vol. 93, nr 371, s. 1393-1395Artikel, recension (Refereegranskat) Published
Ort, förlag, år, upplaga, sidor
Cambridge University Press, 2019
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-89572 (URN)10.15184/aqy.2019.145 (DOI)000511370900033 ()
Tillgänglig från: 2019-10-15 Skapad: 2019-10-15 Senast uppdaterad: 2020-02-21Bibliografiskt granskad
Goldhahn, J. (2019). Rock art worldings. Time & Mind, 12(3), 165-167
Öppna denna publikation i ny flik eller fönster >>Rock art worldings
2019 (Engelska)Ingår i: Time & Mind, ISSN 1751-696X, E-ISSN 1751-6978, Vol. 12, nr 3, s. 165-167Artikel i tidskrift, Editorial material (Refereegranskat) Published
Ort, förlag, år, upplaga, sidor
Taylor & Francis, 2019
Nationell ämneskategori
Arkeologi
Forskningsämne
Humaniora, Arkeologi
Identifikatorer
urn:nbn:se:lnu:diva-89300 (URN)10.1080/1751696X.2019.1645525 (DOI)
Tillgänglig från: 2019-09-26 Skapad: 2019-09-26 Senast uppdaterad: 2019-10-02Bibliografiskt granskad
Organisationer
Identifikatorer
ORCID-id: ORCID iD iconorcid.org/0000-0003-4640-8784

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