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Publications (10 of 20) Show all publications
Stigsdotter, I. (2015). Erotikon. In: Marcelline Block (Ed.), Directory of World Cinema: Sweden. Intellect Ltd.
Open this publication in new window or tab >>Erotikon
2015 (English)In: Directory of World Cinema: Sweden / [ed] Marcelline Block, Intellect Ltd., 2015Chapter in book (Refereed)
Place, publisher, year, edition, pages
Intellect Ltd., 2015
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-16143 (URN)1841505595 (ISBN)9781841505596 (ISBN)
Note

Ej belagd 160426

Available from: 2011-12-14 Created: 2011-12-14 Last updated: 2016-04-26Bibliographically approved
Stigsdotter, I. (2015). Flickorna/The Girls. In: Marcelline Block (Ed.), Directory of World Cinema: Sweden. Intellect Ltd.
Open this publication in new window or tab >>Flickorna/The Girls
2015 (English)In: Directory of World Cinema: Sweden / [ed] Marcelline Block, Intellect Ltd., 2015Chapter in book (Refereed)
Place, publisher, year, edition, pages
Intellect Ltd., 2015
Series
Directory of world cinema, ISSN 2040-7971
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-16145 (URN)1841505595 (ISBN)9781841505596 (ISBN)
Note

Ej belagd 160426

Available from: 2011-12-14 Created: 2011-12-14 Last updated: 2016-04-26Bibliographically approved
Stigsdotter, I. (2015). Fucking Åmål/Show me Love. In: Marcelline Block (Ed.), Directory of World Cinema: Sweden. Intellect Ltd.
Open this publication in new window or tab >>Fucking Åmål/Show me Love
2015 (English)In: Directory of World Cinema: Sweden / [ed] Marcelline Block, Intellect Ltd., 2015Chapter in book (Refereed)
Place, publisher, year, edition, pages
Intellect Ltd., 2015
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-16146 (URN)1841505595 (ISBN)9781841505596 (ISBN)
Note

Ej belagd 160426

Available from: 2011-12-14 Created: 2011-12-14 Last updated: 2016-04-26Bibliographically approved
Stigsdotter, I. (2015). Häxan/Witchcraft Through the Ages. In: Marcelline Block (Ed.), Directory of World Cinema: Sweden. Intellect Ltd.
Open this publication in new window or tab >>Häxan/Witchcraft Through the Ages
2015 (English)In: Directory of World Cinema: Sweden / [ed] Marcelline Block, Intellect Ltd., 2015Chapter in book (Refereed)
Place, publisher, year, edition, pages
Intellect Ltd., 2015
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-16142 (URN)1841505595 (ISBN)9781841505596 (ISBN)
Note

Ej belagd 160426

Available from: 2011-12-14 Created: 2011-12-14 Last updated: 2016-04-26Bibliographically approved
Stigsdotter, I. (2014). Allvarsamma lekar: Receptionen av Play och "lilla hjärtat". In: Erik Hedling och Ann-Kristin Wallengren (Ed.), Den nya svenska filmen: Kultur, kriminalitet och kakofoni (pp. 225-244). Bokförlaget Atlantis
Open this publication in new window or tab >>Allvarsamma lekar: Receptionen av Play och "lilla hjärtat"
2014 (Swedish)In: Den nya svenska filmen: Kultur, kriminalitet och kakofoni / [ed] Erik Hedling och Ann-Kristin Wallengren, Bokförlaget Atlantis, 2014, p. 225-244Chapter in book (Other academic)
Place, publisher, year, edition, pages
Bokförlaget Atlantis, 2014
Keywords
reception, debatt, representation, etnicitet, postkolonialism, Ruben Östlund, Stina Wirsén
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-25657 (URN)978-91-7353-636-3 (ISBN)
Available from: 2013-05-14 Created: 2013-05-14 Last updated: 2014-12-12Bibliographically approved
Stigsdotter, I. (2013). Heritage Film Audiences: Period Films and Contemporary Audiences in the UK [Review]. Historical Journal of Film, Radio and Television, 33(1), 172-174
Open this publication in new window or tab >>Heritage Film Audiences: Period Films and Contemporary Audiences in the UK
2013 (English)In: Historical Journal of Film, Radio and Television, ISSN 0143-9685, E-ISSN 1465-3451, Vol. 33, no 1, p. 172-174Article, book review (Other academic) Published
Place, publisher, year, edition, pages
Routledge, 2013
Keywords
audience, heritage cinema, period film, Britain, class
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-25652 (URN)10.1080/01439685.2012.728335 (DOI)000317342200028 ()
Note

book review

Available from: 2013-05-14 Created: 2013-05-14 Last updated: 2017-12-06Bibliographically approved
Stigsdotter, I. (2013). 'When to push stop or play': The Swedish reception of Ruben Östlund's Play (2011). Journal of Scandinavian Cinema, 3(1), 41-48
Open this publication in new window or tab >>'When to push stop or play': The Swedish reception of Ruben Östlund's Play (2011)
2013 (English)In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 3, no 1, p. 41-48Article in journal (Refereed) Published
Abstract [en]

This article provides an overview of the polemics surrounding the politics of representation in Ruben Östlund's film Play (2011). It contextualizes the media debate, which focused on the film's depiction of black children, and analyses its significance within the context of Swedish contemporary film culture and criticism.

Place, publisher, year, edition, pages
Intellect Ltd., 2013
Keywords
reception, audience, race, stereotype, debate, representation, media, Ruben Östlund
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-25656 (URN)10.1386/jsca.3.1.41_1 (DOI)
Available from: 2013-05-14 Created: 2013-05-14 Last updated: 2017-12-06Bibliographically approved
Stigsdotter, I. (2012). Moderna Malmö. In: Pelle Snickars och Mats Jönsson (Ed.), Skosmörja eller arkivdokument?: Om filmarkivet.se och den digitala filmkulturen (pp. 195-209). Stockholm: Kungliga Biblioteket
Open this publication in new window or tab >>Moderna Malmö
2012 (Swedish)In: Skosmörja eller arkivdokument?: Om filmarkivet.se och den digitala filmkulturen / [ed] Pelle Snickars och Mats Jönsson, Stockholm: Kungliga Biblioteket , 2012, p. 195-209Chapter in book (Refereed)
Place, publisher, year, edition, pages
Stockholm: Kungliga Biblioteket, 2012
Series
Mediehistoriskt arkiv ; 22
Keywords
arkiv, digitalisering, Malmö, stadsfilm, historia, Stockholm, representation, urval
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-25649 (URN)978-91-88468-27-7 (ISBN)
Available from: 2013-05-14 Created: 2013-05-14 Last updated: 2014-12-12Bibliographically approved
Stigsdotter, I. (2012). Of Digital Time and the City. In: : . Paper presented at NECS (Network of European Cinema Studies), New University of Lisbon/University of Coimbra, Lisbon, 21-23 June 2012..
Open this publication in new window or tab >>Of Digital Time and the City
2012 (English)Conference paper, Oral presentation with published abstract (Refereed)
Abstract [en]

This paper is concerned with the relationship between film, space, place, cultural identity and collective memory in the digital era. I will discuss archival images of the Swedish city of Malmö – like Liverpool, the city portrayed in Terence Davies 2008 documentary Of Time and the City, a port city now associated with arts and urban regeneration – in the DVD series Mitt hjärtas Malmö (‘The Malmö of My Heart’ (2005-2011) and on its website (mitthjartasmalmo.se). Furthermore, I will compare the local initiative Mitt hjärtas Malmö with a national project, the recently created online viewing portal Filmarkivet.se. Exemplifying an increasing drive to facilitate access to national collections through digitalization, Filmarkivet.se provides access to films from the collections of the Swedish Film Institute and the National Library and claims to reflect the history of the 20th century in Sweden. But to what extent does it reflect the history of Sweden’s third largest city?

Keywords
archive, city, digitalisation, time, memory, Malmö, space, place
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-25660 (URN)
Conference
NECS (Network of European Cinema Studies), New University of Lisbon/University of Coimbra, Lisbon, 21-23 June 2012.
Available from: 2013-05-14 Created: 2013-05-14 Last updated: 2014-12-12Bibliographically approved
Stigsdotter, I. (2012). Plattform Produktion: A Platform for New Sensations of the Real. In: The Cinema of Sensations, Cluj-Napoca, Sapienta University, Rumänien, 25-27 May 2012: . Paper presented at The Cinema of Sensations, Cluj-Napoca, Sapienta University, Rumänien, 25-27 May 2012 (pp. 42-43).
Open this publication in new window or tab >>Plattform Produktion: A Platform for New Sensations of the Real
2012 (English)In: The Cinema of Sensations, Cluj-Napoca, Sapienta University, Rumänien, 25-27 May 2012, 2012, p. 42-43Conference paper, Oral presentation with published abstract (Refereed)
Abstract [en]

This paper will explore sensations of the real presented in films produced by the Gothenburg-based company Plattform, established by the filmmakers Ruben Östlund and Erik Hemmendorff in 2002. Since then Plattform has made a number of noteworthy independent Swedish films; some of them fictional, some documentary; all sharing an interest in the borders between fact and fiction. The main focus of my paper will be Östlund’s internationally recognised feature films, in particular Play (2011), winner of the Coup de Coeur at the 2011 Cannes Film Festival and Involuntary (De Ofrivilliga, 2008). However, the individuals involved with Plattform contribute to each other’s projects in various ways, and therefore my discussion will also reference films by other directors.When interviewed about their production methods and aesthetic ideals, the Plattform filmmakers tend to use words like ’true’, ’authentic’ ’genuine’ and other (similarly worn-out) expressions closely associated with realism. Amateur actors, static long takes, location shooting in recognisable urban settings, improvised dialogue, people on the street looking into the camera, sequences in real-time, background noises – all of these formal strategies have been used to signify the real before. Nevertheless, there is something very distinct and particular about the realism in Östlund’s films. This paper will explore the relationship between the world of the audience and the materiality of the screen in these film examples with theoretical help from phenomenology (Sobchack’s Carnal Thoughts, 2004) and new approaches to realism (Nagib’s World Cinema and the Ethics of Realism, 2011) in an attempt to contextualise Östlund’s realist aesthetics as well as the intense journalistic debate around Play’s representation of ethnicity following its Swedish cinema release in November 2011.

Keywords
Plattform, documentary, realism, Ruben Östlund
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
urn:nbn:se:lnu:diva-25661 (URN)
Conference
The Cinema of Sensations, Cluj-Napoca, Sapienta University, Rumänien, 25-27 May 2012
Available from: 2013-05-14 Created: 2013-05-14 Last updated: 2018-08-17Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0002-0101-0580

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