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Cinematic Ekphrasis and its Narrative Implications
Lund University.
Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för språk (SPR).ORCID-id: 0000-0002-8554-0385
2013 (engelsk)Inngår i: Emerging Vectors of Narratology: Toward Consolidation or Diversification?,Paris, 29-30 mars 2013 / [ed] John Pier, 2013Konferansepaper, Oral presentation with published abstract (Fagfellevurdert)
Abstract [en]

In recent years, the classical figure of ekphrasishas proved to be a very fruitful concept especially in the field of intermedialstudies. Theorists such as J. A. W. Heffernan, W. J. T. Mitchell, M. Kriegerand C. Clüver have contributed to the definition of ekphrasis, progressivelyenlarging its borders beyond the image-word relation. However, in Clüver’sdefinition of ekphrasis as the “verbalization of a real or fictitious textcomposed in a non-verbal sign system”, the focus remains on the verbal natureof the target medium. Following S. Bruhn, L. Sager Eidt and A. Pethö, we aim atquestioning this limitation by showing that the concept of ekphrasis iscritically viable even when the target is not verbal. Our examples will becases of cinematic ekphrasis, where energeiaand repurposing, two crucial aspectsof ekphrasis, both with narrative implications, are achieved by other meansthan only language. By doing this we join the post-classical narratologicaldiscourse and its increased interest in the question of narrative in non-verbalforms.

sted, utgiver, år, opplag, sider
2013.
Emneord [en]
ekphrasis, cinematic ekphrasis
HSV kategori
Forskningsprogram
Humaniora, Litteraturvetenskap
Identifikatorer
URN: urn:nbn:se:lnu:diva-28733OAI: oai:DiVA.org:lnu-28733DiVA, id: diva2:646042
Konferanse
Emerging Vectors of Narratology: Toward Consolidation or Diversification?, Paris, 29-30 mars 2013
Forskningsfinansiär
Riksbankens JubileumsfondTilgjengelig fra: 2013-09-06 Laget: 2013-09-06 Sist oppdatert: 2018-05-17bibliografisk kontrollert

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