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Die Rezeption von Allan Petterssons Werk in Schweden und Deutschland: Ein Vergleich
Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för musik och bild (MB).ORCID-id: 0000-0003-2591-1663
2013 (Tyska)Ingår i: Musik-Konzepte: Allan Pettersson / [ed] Ulrich Tadday, München: Richard Boorberg Verlag GmbH&Co KG , 2013, 1, s. 73-92Kapitel i bok, del av antologi (Övrigt vetenskapligt)
Abstract [en]

This study about the reception of Allan Pettersson’s work deals with the performances and broadcasting and also with the texts and films made about him and his music both in his homeland Sweden and in Germany. What was Pettersson’s image? In which way was his music interpreted? How often was it played and is it played currently? The Pettersson receptions in Sweden and Germany, which have been non-synchronous and contrary in many respects, reveal some characteristic features about the music markets and politics in these countries. In Sweden, his music was appreciated mostly during about ten years after the spectacular first performance of his Seventh Symphony 1968. However, the interest in Pettersson faded quickly here after his death 1980. In West Germany, his breakthrough took place shortly after his death and his works were most often performed here until the mid-1990s. Until his 100th anniversary 2011 the interest in his music was declining but seems now to gain more appreciation, at least in Sweden.

Ort, förlag, år, upplaga, sidor
München: Richard Boorberg Verlag GmbH&Co KG , 2013, 1. s. 73-92
Serie
Musik-Konzepte, ISSN 0931-3311 ; 162
Nyckelord [en]
Allan Pettersson, reception, Sweden, Germany, media, symphony
Nationell ämneskategori
Musikvetenskap
Forskningsämne
Humaniora, Musikvetenskap
Identifikatorer
URN: urn:nbn:se:lnu:diva-28252ISBN: 978-3-86916-275-1 (tryckt)OAI: oai:DiVA.org:lnu-28252DiVA, id: diva2:641480
Tillgänglig från: 2013-08-16 Skapad: 2013-08-16 Senast uppdaterad: 2019-02-27Bibliografiskt granskad

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Knust, Martin

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