lnu.sePublikationer
Ändra sökning
RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Black Lives, White Quotation Marks: Textual Constructions of Selfhood in South African Multivoiced Life Writing
Linnéuniversitetet, Fakulteten för konst och humaniora (FKH), Institutionen för språk (SPR). (Centre for Concurrences in Colonial and Postcolonial Studies)ORCID-id: 0000-0002-6726-9990
2018 (Engelska)Doktorsavhandling, sammanläggning (Övrigt vetenskapligt)
Abstract [en]

This thesis focuses on South African multivoiced and collaborative life writing. The analysed primary texts are The Long Journey of Poppie Nongena (1980) by Elsa Joubert, The Calling of Katie Makanya: A Memoir of South Africa (1995) by Margaret McCord, Finding Mr Madini (1999) by Jonathan Morgan and the Great African Spiderwriters, David’s Story (2000) by Zoë Wicomb, and There Was This Goat: Investigating the Truth Commission Testimony of Notrose Nobomvu Konile (2009), co-written by Antjie Krog, Nosisi Mpolweni and Kopano Ratele. All of these primary texts are either collaborative autobiographies about black lives, multivoiced life writing texts about black lives, or a text that problematises this kind of life writing where predominantly disadvantaged, black life writing subjects either have had their lives narrated or have had their narration steered by well educated, advantaged, Westernised and usually white writers.

The analyses of the primary texts are carried out by problematising them in the light of the South African historical and cultural context within which they were produced. The focus of the analyses is on the effects on and the consequences for textual constructions of selfhood when the writers tell or include the life writing subjects’ lives in the life writing texts. The involvement of the writers in the life writing projects is argued to greatly have impacted the textually represented selves that were created in the resulting multivoiced life writing texts.

Drawing on theory rooted in postcolonial studies, life writing in general, and self-narration in particular, this thesis concludes that the examined black South African life narratives to various extents are told on white, Western terms and thus inserted in white quotation marks. White quotation marks are defined in this thesis as a certain Western perception of self-narration and selfhood, consisting of components rooted in language, racial tropes, narrative form, and Western autobiographical traditions. Both writers and life writing subjects have been involved in creating or employing these white quotation marks. In some cases this has been an unintentional result and in other cases it has been a conscious effort.

Ort, förlag, år, upplaga, sidor
Växjö: Linnaeus University Press, 2018.
Serie
Linnaeus University Dissertations ; 314
Nyckelord [en]
Antjie Krog, collaborative autobiography, collaborative life writing, Elsa Joubert, Jonathan Morgan, Kopano Ratele, Margaret McCord, multivoiced life writing, Nosisi Mpolweni, selfhood, South Africa, Zoë Wicomb
Nationell ämneskategori
Litteraturvetenskap Studier av enskilda språk
Forskningsämne
Humaniora, Engelska med litteraturvetenskaplig inriktning
Identifikatorer
URN: urn:nbn:se:lnu:diva-71410ISBN: 9789188761439 (tryckt)ISBN: 9789188761446 (digital)OAI: oai:DiVA.org:lnu-71410DiVA, id: diva2:1188109
Disputation
2018-04-06, Homeros, 351 95 Växjö, Växjö, 13:15 (Engelska)
Opponent
Handledare
Tillgänglig från: 2018-03-08 Skapad: 2018-03-06 Senast uppdaterad: 2024-02-21Bibliografiskt granskad
Delarbeten
1. Complex Collaborations: Elsa Joubert’s The Long Journey of Poppie Nongena and Zoë Wicomb’s David’s Story
Öppna denna publikation i ny flik eller fönster >>Complex Collaborations: Elsa Joubert’s The Long Journey of Poppie Nongena and Zoë Wicomb’s David’s Story
2014 (Engelska)Ingår i: Ariel: A Review of International English Literature, ISSN 0004-1327, Vol. 45, nr 1-2, s. 221-245Artikel i tidskrift (Refereegranskat) Published
Abstract [en]

This essay examines how South African author Zoë Wicomb’s novel David’s Story (2001) critiques collaborative life writing. More specifically, it argues that the faltering collaboration between the protagonists David and the unnamed amanuensis in David’s Story serves as an illuminating critique of past collaborative works such as Elsa Joubert’s The Long Journey of Poppie Nongena (1980) by shifting the focus from the end product to the collaborative writing process that precedes it. The analyses in this essay reveal that the fallibility of language demonstrated in Wicomb’s novel serves as a reminder of the impossibility of the narrative project that the amanuensis and David have set out to work on. Moreover, this essay argues that Wicomb’s novel highlights what can be unequal power relations between an amanuensis and an autobiographical subject in a collaborative writing process.

Ort, förlag, år, upplaga, sidor
Calgary: Johns Hopkins University Press, 2014
Nyckelord
Elsa Joubert, The Long Journey of Poppie Nongena, Zoë Wicomb, David's Story, collaborative autobiography, South Africa
Nationell ämneskategori
Språk och litteratur Litteraturstudier
Forskningsämne
Humaniora, Engelska med litteraturvetenskaplig inriktning
Identifikatorer
urn:nbn:se:lnu:diva-37133 (URN)10.1353/ari.2014.0004 (DOI)000341059000009 ()2-s2.0-84930244445 (Scopus ID)
Tillgänglig från: 2014-09-19 Skapad: 2014-09-19 Senast uppdaterad: 2018-03-06Bibliografiskt granskad
2. Creating a Collaborative Community: Problems and Possibilities of Collaborative Autobiographical Writing in Jonathan Morgan's Finding Mr Madini
Öppna denna publikation i ny flik eller fönster >>Creating a Collaborative Community: Problems and Possibilities of Collaborative Autobiographical Writing in Jonathan Morgan's Finding Mr Madini
2015 (Engelska)Ingår i: Global Community?: Transnational and Transdisciplinary Exchanges / [ed] Henrik Eneroth, Douglas Brommesson, London: Rowman & Littlefield Publishers, 2015, 1, s. 79-98Kapitel i bok, del av antologi (Refereegranskat)
Ort, förlag, år, upplaga, sidor
London: Rowman & Littlefield Publishers, 2015 Upplaga: 1
Nyckelord
Global community, collaborative autobiography, Jonathan Morgan, Finding Mr Madini
Nationell ämneskategori
Litteraturvetenskap
Identifikatorer
urn:nbn:se:lnu:diva-48419 (URN)9781783484720 (ISBN)
Tillgänglig från: 2015-12-16 Skapad: 2015-12-16 Senast uppdaterad: 2018-03-06Bibliografiskt granskad
3. Collaboratively Writing a Self: Textual Strategies in Margaret McCord's The Calling of Katie Makanya: A Memoir of South Africa
Öppna denna publikation i ny flik eller fönster >>Collaboratively Writing a Self: Textual Strategies in Margaret McCord's The Calling of Katie Makanya: A Memoir of South Africa
2015 (Engelska)Ingår i: Research in African Literatures, ISSN 0034-5210, E-ISSN 1527-2044, Vol. 46, nr 2, s. 70-84Artikel i tidskrift (Refereegranskat) Published
Abstract [en]

This paper analyzes The Calling of Katie Makanya (1995) by Margaret McCord as a collaborative autobiography. Katie’s motive for wanting her story to be told is not a desire to find her own voice and identity through narration, but seemingly rather to add to and complete the picture presented in the narrative My Patients Were Zulus (1946), written by Katie’s employer and Margaret McCord’s father, Dr. James B. McCord. Moreover, Margaret McCord is portrayed in The Calling of Katie Makanya as finding it problematic as a white woman to write a black woman’s story. Using the theories of Judith Butler, the analyses show that the context of the narrative’s emergence creates a complex framing of The Calling of Katie Makanya. This paper aims to highlight and examine instances where the effects of this complex framing rise to the surface of the text and create tensions in the narrative.

Nyckelord
Collaborative autobiography, Margaret McCord, James McCord, Katie Makanya, South Africa
Nationell ämneskategori
Litteraturstudier
Forskningsämne
Humaniora, Engelska med litteraturvetenskaplig inriktning
Identifikatorer
urn:nbn:se:lnu:diva-43426 (URN)10.2979/reseafrilite.46.2.70 (DOI)000354073700005 ()2-s2.0-84930251858 (Scopus ID)
Tillgänglig från: 2015-05-28 Skapad: 2015-05-28 Senast uppdaterad: 2023-07-07Bibliografiskt granskad
4. Narrating an Other and Each Other: Collaborative Constructions of Selfhood in There Was This Goat : Investigating the Truth Commission Testimony of Notrose Nobomvu Konile
Öppna denna publikation i ny flik eller fönster >>Narrating an Other and Each Other: Collaborative Constructions of Selfhood in There Was This Goat : Investigating the Truth Commission Testimony of Notrose Nobomvu Konile
2018 (Engelska)Ingår i: Life Writing, ISSN 1448-4528, E-ISSN 1751-2964, Vol. 15, nr 2, s. 243-254Artikel i tidskrift (Refereegranskat) Published
Abstract [en]

The aim of this article is to examine the textual constructions of selfhood in the South African narrative There Was This Goat: Investigating the Truth Commission Testimony of Notrose Nobomvu Konile (2009), co-authored by Antjie Krog, Nosisi Mpolweni and Kopano Ratele. There Was This Goat is dedicated to understanding Mrs Konile and her Truth and Reconciliation Commission testimony given in Xhosa, a testimony which many found incomprehensible. I trace and read Mrs Konile through the lens of Judith Butler and her ideas about self-narration and through Sarah Nuttall’s concept of entanglement. These two approaches underline the social aspects of both self-narration and identity formation through narration, and therefore assist me in approaching the authors as simultaneous characters in the text, recipients of Mrs Konile’s narrative, and creators of the textually represented Mrs Konile. The authors’ dual function as writers of and characters within the narrative is an important factor which has been only briefly considered in much of the previous scholarly research on this multivoiced life writing text. This article argues that Mrs Konile is disempowered by the structure of the narrative, which positions her as a passive object of study rather than an active subject of her own life narrative.

Ort, förlag, år, upplaga, sidor
Routledge, 2018
Nyckelord
Notrose Nobomvu Konile, There Was This Goat, collaborative life writing, South African Truth and Reconciliation Commission
Nationell ämneskategori
Litteraturstudier
Forskningsämne
Humaniora, Engelska med litteraturvetenskaplig inriktning
Identifikatorer
urn:nbn:se:lnu:diva-70072 (URN)10.1080/14484528.2017.1345292 (DOI)000430639200006 ()2-s2.0-85021833284 (Scopus ID)
Tillgänglig från: 2018-01-23 Skapad: 2018-01-23 Senast uppdaterad: 2019-08-29Bibliografiskt granskad

Open Access i DiVA

Doctoral Thesis (Comprehensive Summary)(3451 kB)451 nedladdningar
Filinformation
Filnamn FULLTEXT01.pdfFilstorlek 3451 kBChecksumma SHA-512
8775727ddf762d8db53675a891c39d980a33362c179ee916c685c37aeb53887c9d091b7869fc73172bef945f9f25532896bde91b83d0eff86519244b61ef1113
Typ fulltextMimetyp application/pdf

Övriga länkar

Buy Book (SEK 250 + VAT and postage) lnupress@lnu.se

Person

Siméus, Jenny

Sök vidare i DiVA

Av författaren/redaktören
Siméus, Jenny
Av organisationen
Institutionen för språk (SPR)
LitteraturvetenskapStudier av enskilda språk

Sök vidare utanför DiVA

GoogleGoogle Scholar
Totalt: 451 nedladdningar
Antalet nedladdningar är summan av nedladdningar för alla fulltexter. Det kan inkludera t.ex tidigare versioner som nu inte längre är tillgängliga.

isbn
urn-nbn

Altmetricpoäng

isbn
urn-nbn
Totalt: 916 träffar
RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf