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In between Life and Death: Sophie Calle’s Rachel, Monique (2014)
Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature. (LNUC Intermedial and multimodal studies, IMS)ORCID iD: 0000-0003-2685-9510
University of Stavanger, Norway.ORCID iD: 0000-0001-8349-8227
2018 (English)In: The Power of the In-Between: Intermediality as a Tool for Aesthetic Analysis and Critical Reflection / [ed] Sonya Petersson, Christer Johansson, Magdalena Holdar, Sara Callahan, Stockholm: Stockholm University Press, 2018, p. 25-48Chapter in book (Refereed)
Abstract [en]

This chapter is dedicated to Sophie Calle’s aesthetically rich and existentially moving art exhibition Rachel, Monique (2014), representing her mother’s death in 2006. Calle’s well-known dichotomies between private and public, random acts and aesthetic form are repeated in a new dichotomy between life and death, and the nuances in between these. The authors suggest a combination of some of the fundamental notions of intermedial studies combined with the aesthetic theory of Mikhail Bakhtin in order to grasp the exhibition and the experience of it.

Place, publisher, year, edition, pages
Stockholm: Stockholm University Press, 2018. p. 25-48
Series
Stockholm Studies in Culture and Aesthetics, ISSN 2002-3227
Keywords [en]
Intermediality, art, Sophie Calle
National Category
Art History
Research subject
Humanities, Art science
Identifiers
URN: urn:nbn:se:lnu:diva-84558ISBN: 978-91-7635-067-6 (print)ISBN: 978-91-7635-064-5 (electronic)ISBN: 978-91-7635-066-9 (electronic)ISBN: 978-91-7635-065-2 (electronic)OAI: oai:DiVA.org:lnu-84558DiVA, id: diva2:1320094
Available from: 2019-06-04 Created: 2019-06-04 Last updated: 2019-06-26Bibliographically approved

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Bruhn, Jørgen

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CiteExportLink to record
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Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
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Language
  • de-DE
  • en-GB
  • en-US
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  • nn-NO
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More languages
Output format
  • html
  • text
  • asciidoc
  • rtf