Since the year 2009, the Swedish music market has changed drastically. In the first six months of 2013, 75 percent of total revenues to Swedish repertoire owners came from digital distribution. More than 90 percent of those revenues came from streaming. More than half of the population has a streaming subscription, and streaming has become the dominant format for consuming music on this specific market. As a result of this paradigm shift, changes have occurred in the Swedish music industrial system, as well as in user behaviors. This report examines how the Swedish music market has changed as a result of à la carte on demand streaming, explains the streaming model as such and give a picture of what these changes could mean for the future.