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Down and Out in Mysterious Morocco: Ontological Uncertainty in The Man Who Knew Too Much (1956)
Linnaeus University, Faculty of Arts and Humanities, Department of Languages. (LNUC Intermedial and multimodal studies, IMS)ORCID iD: 0000-0003-0115-4995
2018 (English)In: Hitchcock and The Cold War: New Essays on the Espionage Films, 1956-1969 / [ed] Walter Raubicheck, New York: Pace University Press, 2018, p. 243-266Chapter in book (Refereed)
Place, publisher, year, edition, pages
New York: Pace University Press, 2018. p. 243-266
Keywords [en]
HItchcock, The Man Who Knew Too Much, Postmodernism, James Stewart, Technicolor, ontological uncertainty
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
URN: urn:nbn:se:lnu:diva-79365ISBN: 9781935625308 (print)OAI: oai:DiVA.org:lnu-79365DiVA, id: diva2:1275521
Available from: 2019-01-07 Created: 2019-01-07 Last updated: 2019-07-30Bibliographically approved

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Salmose, Niklas

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CiteExportLink to record
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Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
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More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
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  • Other locale
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Output format
  • html
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