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Cinema Between Media: An Intermediality Approach
Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature. (LNUC Intermedial and multimodal studies, IMS)ORCID iD: 0000-0003-2685-9510
Norwegian University of Science and Technology, Norway.
2018 (English)Book (Refereed)
Abstract [en]

Cinema has always been a mixed medium, sharing its basic form with photography, borrowing heavily from performing arts and the novel, and combining medialities like painting and music. But although it could be argued that cinema is the intermedial art form par excellence, this insight has not affected film analysis as much as might be expected. Seeking to change our perceptions of cinema as a medium, Cinema Between Media draws on case studies of films like Zero Dark Thirty, Citizen Kane, Howl and Birdman to rethink cinema as an aesthetic form, and to raise new ideas about the practice of film analysis.

Place, publisher, year, edition, pages
Edinburgh: Edinburgh University Press, 2018. , p. 168
Keywords [en]
Cinema, documentary, intermediality, media studies
National Category
Studies on Film
Research subject
Humanities, Film Studies
Identifiers
URN: urn:nbn:se:lnu:diva-84547Libris ID: lvqhn7z5jv451fk2ISBN: 9781474429023 (print)ISBN: 9781474429016 (print)ISBN: 9781474429047 (electronic)ISBN: 9781474429030 (electronic)OAI: oai:DiVA.org:lnu-84547DiVA, id: diva2:1320052
Available from: 2019-06-04 Created: 2019-06-04 Last updated: 2019-06-26Bibliographically approved

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Bruhn, Jørgen

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CiteExportLink to record
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  • apa
  • harvard1
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