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‘This is my father’s painting’: A first-hand account of the creation of the most iconic rock art in Kakadu National Park
Griffith University, Australia.
Injalak Arts, Australia.
Australian Institute of Aboriginal and Torres Strait Islander Studies, Australia.
Linnaeus University, Faculty of Arts and Humanities, Department of Cultural Sciences. Griffith University, Australia. (Centre for Concurrences in Colonial and Postcolonial Studies)ORCID iD: 0000-0003-4640-8784
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2019 (English)In: Rock Art Research, ISSN 0813-0426, Vol. 36, no 2, p. 199-213Article in journal (Refereed) Published
Abstract [en]

The Anbangbang Gallery in the Burrungkuy area of Kakadu National Park includes some of the most iconic rock art imagery from Australia. Visited and enjoyed by tens of thousands of visitors every year it stands as a testament to Aboriginal culture and provides a glimpse into the remarkable rock art traditions of this region. Yet, most visitors are surprised to discover that rock art was still being produced at this site in the 1960s. In this paper, we explore the most recent rock art created at the Anbangbang Gallery. Most importantly, we present new evidence from a first-hand account of the paintings being created in 1963/64 and discuss the implications of these new insights for our understanding of the practice, the artists, and the social context of rock art in northern Australia.

Place, publisher, year, edition, pages
Archaeological Publications, Australia , 2019. Vol. 36, no 2, p. 199-213
Keywords [en]
rock art, Kakadu, Australia, Anbangbang, oral history
National Category
Archaeology
Research subject
Humanities, Art science; Humanities, Archaeology
Identifiers
URN: urn:nbn:se:lnu:diva-89820ISI: 000493216100008OAI: oai:DiVA.org:lnu-89820DiVA, id: diva2:1365953
Available from: 2019-10-27 Created: 2019-10-27 Last updated: 2023-09-06Bibliographically approved

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Goldhahn, Joakim

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