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Silent Waters: Mapping Silence and Women’s Agency in Post-Partitioned Pakistan
Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature. (Centre for Concurrences in Colonial and Postcolonial Studies)
2017 (English)In: New Feminisms in South Asian Social Media, Film and Literature: Disrupting the Discourse Through Social Media, Film, and Literature / [ed] Sonora Jha, Alka Kurian, Abingdon-on-Thames: Routledge, 2017Chapter in book (Refereed)
Abstract [en]

This chapter focuses on a Partition film titled Khamosh Pani and argues that it subverts patriarchal religio-nationalism and re-envisions the totalized history of the two national constructs through the liminal figure of the female protagonist Ayesha. It also focuses on the "Recovery Act" of Partition to argue for a nuanced understanding of agency in understanding Ayesha's subjectivity. Ayesha/Veero's final plunge into the silent waters serves as a moment of agentic revelation that reminds us that the author in the chapter refuses to be pinned into fossilized religious-ethnic identities and transgresses the boundaries of a statist notion of religious identity. The reception of the film was controversial and one may argue that the film presents a monolithic version of Islam under the reign of General Zia ul Haq in Pakistan. The chapter shows the women characters' resistance and agency in constructing a varied account of Islam in the film that goes against any notions of an essentialized understanding of the Islam.

Place, publisher, year, edition, pages
Abingdon-on-Thames: Routledge, 2017.
National Category
Cultural Studies
Research subject
Humanities
Identifiers
URN: urn:nbn:se:lnu:diva-98042DOI: 10.4324/9781315618388-9ISBN: 9780367878412 (print)ISBN: 978-1-138-66893-5 (print)ISBN: 978-1-315-61838-8 (electronic)OAI: oai:DiVA.org:lnu-98042DiVA, id: diva2:1467081
Note

About the book

This book is a study of the resurgence and re-imagination of feminist discourse on gender and sexuality in South Asia as told through its cinematic, literary, and social media narratives. It brings incisive and expert analyses of emerging disruptive articulations that represent an unprecedented surge of feminist response to the culture of sexual violence in South Asia. Here scholars across disciplines and international borders chronicle the expressions of a disruptive feminist solidarity in contemporary South Asia. They offer critical investigations of these newly complicated discourses across narrative forms – hashtag activism on Facebook and Twitter, the writings of diasporic writers such as Jhumpa Lahiri, Bollywood films like Mardaani, feminist Dalit narratives in the fiction of Bama Faustina, social media activism against rape culture, journalistic and cinematic articulations on queer rights, state censorship of "India’s Daughter", and feminist film activism in Bangladesh, Kashmir, Nepal, and Sri Lanka. 

Available from: 2020-09-14 Created: 2020-09-14 Last updated: 2021-11-11Bibliographically approved

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Ghosh, Amrita

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Total: 88 hits
CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
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  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
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  • asciidoc
  • rtf