This chapter discusses the significance of public broadcasting companies for the development of jazz through a case study investigation of the Swedish situation during the 1960s. By analyzing collaborations between public broadcasters and other actors in the jazz world, I argue that publicly funded radio and television stations changed the jazz scenes that existed outside of the United States. In addition to their societal position and public funding structures, which were common in many European countries, public broadcasters also regarded it as their mission to provide the general public with broad access to music and art. In many cases, public broadcasting companies gave jazz musicians opportunities to experiment, compose, and play styles of jazz that record companies deemed too costly to record and issue. Through this process, jazz became more diasporic as musicians developed alternate forms of jazz and found new modes of dissemination through the networks of public broadcasting and transnational collaborations that were taking place in various European contexts.