The purpose of this text is to show how digitization in heritage communication is performed today at a pioneering local museum as a result of digital agendas on national and European levels. The main concern is to see how general digital agendas have reached a local museum and transformed into actual digital presentations. Who are the actors within this kind of digitization work? What are the aims with digital solutions at the museum, how are they used, and why have they chosen to apply these specific digital techniques? It is shown that borders are crossed between actors: artists, archaeologists and engineers. The aim has been to integrate knowledge of the past with present perspectives as well as combining archaeological and artistic interpretation with new techniques. This in turn has meant the development of new approaches to the Bronze Age in general in relation to perspectives of knowledge, experience and artistic experiment. This approach and realisation of a digitization project at a local museum has been made possible with the aid of money from the regional government as a result of a general digital agenda. An infrastructure is created that in part promotes the conversion to the use of digital tools in heritage communication as well as in other sectors of heritage management. It is also obvious that digital heritage information and communication go in several directions that can’t be seen as having a common general goal.