lnu.sePublications
Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Landscapes of performance and technological change: Music venues in Pittsburgh, Pennsylvania and Nashville, Tennessee
University of Pittsburgh, USA.
Western Kentucky University, USA.
Western Kentucky University, USA.
2016 (English)In: The Production and Consumption of Music in the Digital Age / [ed] Brian J. Hracs , Michael Seman, Tarek E. Virani, Taylor & Francis, 2016, 114-129 p.Chapter in book (Other academic)
Place, publisher, year, edition, pages
Taylor & Francis, 2016. 114-129 p.
Series
Routledge Studies in Human Geography, 58
National Category
Musicology
Research subject
Humanities, Musicology
Identifiers
URN: urn:nbn:se:lnu:diva-56172Scopus ID: 2-s2.0-84978520124ISBN: 9781317529644 (print)ISBN: 9781138851658 (print)OAI: oai:DiVA.org:lnu-56172DiVA: diva2:957493
Note

About the book

The economic geography of music is evolving as new digital technologies, organizational forms, market dynamics and consumer behavior continue to restructure the industry. This book is an international collection of case studies examining the spatial dynamics of today’s music industry. Drawing on research from a diverse range of cities such as Santiago, Toronto, Paris, New York, Amsterdam, London, and Berlin, this volume helps readers understand how the production and consumption of music is changing at multiple scales – from global firms to local entrepreneurs; and, in multiple settings – from established clusters to burgeoning scenes. The volume is divided into interrelated sections and offers an engaging and immersive look at today’s central players, processes, and spaces of music production and consumption. Academic students and researchers across the social sciences, including human geography, sociology, economics, and cultural studies, will find this volume helpful in answering questions about how and where music is financed, produced, marketed, distributed, curated and consumed in the digital age.

Available from: 2016-09-02 Created: 2016-08-31 Last updated: 2016-09-21Bibliographically approved

Open Access in DiVA

No full text

Other links

ScopusFulltext

Search in DiVA

By author/editor
Johansson, Ola
Musicology

Search outside of DiVA

GoogleGoogle Scholar

Total: 22 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf