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  • 1. Angelfors, Christina
    Den goda och den onda Modern: om kvinnoidentitet i Marie Cardinals författarskap1985In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, no 4, p. 249-253Article in journal (Refereed)
  • 2.
    Bruhn, Jørgen
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Litterær kulturturisme?: om Steen Kiltgård Povlsen, Forfatterens billede2010In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, no 4Article, book review (Other academic)
  • 3.
    Bruhn, Jørgen
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Steen Klitgård Povlsen: Forfatterens billede.: Portræt af en genre2011In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, edda, no 1, p. 98-100Article, book review (Other academic)
  • 4.
    Bruhn, Jørgen
    et al.
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Gjelsvik, Anne
    Norwegian University of Science and Technology, Norway.
    Å lese, se og høre film: En intermedial analyse av Dag Johan Haugeruds Som du ser meg2015In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, no 4, p. 265-281Article in journal (Refereed)
    Abstract [en]

    Artikkelen tar utgangspunkt i norske filmkritikeres mottakelse av Som du ser meg (Dag Johan Haugerud 2012). Et flertall av norske filmkritikere fremhevet filmen som umiddelbart gjenkjennelig og realistisk, men overså med det mange av filmens formale kvaliteter. Vi argumenterer for en mer formal lesning av filmen som synliggjør viktigheten av de intermediale og metafiktive grepene Haugerud benytter. Artikkelen undersøker særlig litteraturen og musikkens tilstedeværelse i filmen, både som innhold og formelementer, men også som strukturerende prinsipp for filmen som helhet. Vårt argument er dermed at filmens tilsynelatende realisme er et resultat av et sofistikert formgrep, at den er farget av en «litterær» stil, og at filmen dermed kan leses i lys av Bertholt Brechts ideer om Verfremdrung og en distansert kunstopplevelse.

  • 5. Bäckström, Per
    Fahlström stannade i Stockholm: ”HÄTILA RAGULPR PÅ FÅTSKLIABEN” och diktarkonferensen i Sigtuna 19532019In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 106, no 1, p. 39-53Article in journal (Refereed)
    Abstract [en]

    Öyvind Fahlström’s famous manifesto for concrete poetry «HÄTILA RAGULPR PÅ FÅTSKLIABEN» (1954) was written as a reaction to the authors conference in Sigtuna 10–12 April 1953, which was the incentive he needed to rewrite a program that had probably already been started into a manifesto. However, Fahlström’s own interests must be subsumed under a transnational avant-garde aesthetics. The Swedish literary field existed in parallel to the international avant-garde movements that he promoted and that in principle occurred independently of the Swedish field. The conference was therefore only an accidence for the advent of the manifesto, and a discussion of part one with its ridicule will contribute no knowledge about its essence: his program. With a better understanding of the relation between the Sigtuna conference and Fahlström’s manifesto, a more accurate view of the Swedish 1950s can be established, at the same time as future research can focus the essence of the manifesto: its processuality and performativity.

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  • 6.
    Bäckström, Per
    Karlstad University, Sweden.
    [Review of] Anders Juhl Rasmussen, Arena-modernisme: En position i dansk litteratur2014In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 101, no 1, p. 90-95Article, book review (Refereed)
  • 7.
    Bäckström, Per
    Karlstad University, Sweden.
    “The Trumpet in the Bottom” : Öyvind Fahlström and the Uncanny: “Trumpeten i stjärten” : Öyvind Fahlström och det kusliga2017In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 104, no 2, p. 176-198Article in journal (Refereed)
    Abstract [en]

    Öyvind Fahlström (1928–76) began as a surrealist at the end of the 1940s, and among others wrote the unpublished poetry collection “The Trumpet in the Bottom”. In 1953, he wrote the world’s first manifesto for concrete poetry, inspired by Pierre Schaeffer’s musique concrète, and soon became a driving force in the Swedish and international neo-avantgarde. In the mid-1950s he turned to the visual arts, and later he also wrote radio plays, directed movies and arranged performances and happenings. He showed an extraordinary sensibility for the uncanny in his selection of “life material” for his art, thus uncovering the return of the repressed in everyday life and popular culture, in the form of scatology, pornography, the monstrous, the body, the materiality of the artwork and media, and so on. In his art, this uncanny life material was turned into political statements. In my article the discussion is exemplified from different genres of Fahlström’s œuvre, from his early texts and radio plays, to his visual art.

  • 8.
    Classon Frangos, Mike
    Linnaeus University, Faculty of Arts and Humanities, Department of Languages.
    Efter unionsupplösningen: Nation och genuspolitik i Hjalmar Söderbergs Den allvarsamma leken2019In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 106, no 3Article in journal (Refereed)
    Abstract [en]

    This article considers issues of nationalism and gender politics in Hjalmar Söderberg’s 1912 novel The Serious Game [Den allvarsamma leken]. I focus on the depiction of the dissolution of the union between Sweden and Norway that took place in 1905 in order to analyze the intersection of nation and gender in fin-de-siècle discourses of liberalism. Ellen Key (depicted in the novel as “Ellen Hej”) is a key figure not only in the period’s feminist debates but also as an activist advocating for the peaceful dissolution of the union. I focus on Key and Söderberg’s views of the nation as one stage in a progressive evolution towards a cosmopolitan community, as well as Key’s controversial sexual politics. Moreover, I show how the novel naturalizes heterosexual desire in the main character Arvid’s incurable desire for Lydia. I argue finally that the melancholy tone permeating the novel is a mode of expression for liberalism’s unfinished projects of emancipation for both women and the nation.

  • 9. Elleström, Lars
    Begärets mekanismer i "Dagen svalnar …"1988In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 75, no 1, p. 57-60Article in journal (Refereed)
  • 10. Elleström, Lars
    Saga Oscarson: Gyllensten som Orfeus1993In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, no 3, p. 283-285Article, book review (Other academic)
  • 11.
    Erlanson, Erik
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    En gåva till Nikita: Svisch och 1964 års manifestation för en generalisering av konstnärens kunnande i den svenska statens namn2020In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 107, no 2, p. 113-126Article in journal (Refereed)
  • 12.
    Höglund, Johan
    Linnaeus University, Faculty of Arts and Humanities, Department of Languages.
    Revenge of the Trolls: Norwegian (Post) Colonial Gothic2017In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 117, no 2, p. 115-129Article in journal (Refereed)
    Abstract [en]

    Recent studies by Naum and Nordin, Fur, and Keskinen et al. suggest that the Nordic nations participated in the pan-European colonial project of the nineteenth century and that they also pursued an internal colonial project through the invasion of Sápmi. This realisation constitutes a vantage point from which Nordic culture can be revisited and re-examined as (post)colonial. With this in mind, the article examines how the Norwegian films Troll Hunter (2010) and Thale (2012) engage with the repressed history of Nordic colonialism. Like many other Gothic films that discuss colonial matters, they are ambivalent, concurrently supporting and disturbing the imperial notions that they bring to the surface. Particular attention is devoted to how the films situate modernity in relation to a metaphorical indigeneity that they imagine as both attractive and abject, and to how they visualize categories of gender and race in relation to this indigeneity.

  • 13.
    Salomonsson, Anna
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Flugan och förtrycket: Det koloniala och patriarkala våldets individuella och universella aspekter i Sofi Oksanens Utrensning2014In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 101, no 1, p. 52-66Article in journal (Refereed)
    Abstract [en]

    Sofi Oksanen’s novel Purge (2008) unfolds in Estoniaat the time of the cultural transition from Sovietcommunism to European capitalism and is depictedfrom the viewpoint of two women, both of whomhave experienced systematic violence. However,Oksanen portrays the women as ambivalent individualswho do not automatically solidarise with eachother and who are capable of violence in breakingfree from oppression. In this article I argue that thecharacters’ ambivalence is due to the psychologicaleffects of colonial and sexual violence and thatthese feelings are rendered visible when examiningthe field of tension between their different experiences.Based on theories by Fanon and Mohanty, Ianalyse the characters’ regaining of self-agency inrelation to communist and capitalist epistemologies.In this way I intend to show that Purge can be readas a postcolonial and feminist novel pointing towarda universalism constituted by two women’s individualexperiences in an Estonian context.

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