This dissertation examines socio-cultural community identity processes.Initially, I have studied how cultural strategies of different eras – since the Ministry ofCulture Affaires was established in 1961 – have endeavoured to include social movementsin a national, mono-cultural concept of culture using various strategies and teachingtools. It appears that different the cultural strategies of different eras rearticulate socialmovements in terms of sub-, socio- and counter-culture, depending on which culturalperspective is valid. This realization has lead me to study how a socio-cultural communityhandles the identity shifts originated by various cultural strategies. The wayidentity shifts are handled by members of a given socio-cultural community is analyzedon the basis of a series of micro-sociological processes in which activists, among others,become conscious of themselves and each other and put them in a position to negotiatemeaning in public.The study is planned and conducted as a cultural analysis study with referenceto Norbert Elias’ sociological theories on social figurations. Cultural analysis is aninterdisciplinary field that draws on different traditions including Marxism, Structuralismand Social Constructivism. The choice of cultural analysis as a starting point forthis dissertation, thus, involves a number of theoretical and methodological implications.Theoretically, the thesis departs from more traditional library and information sciencestudies’ foundation in natural science which among other things is reflected information thinking, focus on engaged life processes and interest in the subjects’ worldlife, their practices as well as everyday routines. The thesis is not based on one, unifiedtheory, but lets the activists’ narrative topics guide the choice of various theoretical approachesused to reconstruct a cultural analytic image of the socio-cultural community.From a methodological point of view, this means that the thesis is builtaround etno-metodological activities, field observations, active participation in socialand cultural processes, and through a series of narrative interviews. The study is conductedas a case felt study of a social movement called “1000fryd” in Aalborg. 1000frydhas existed for 25 years as an alternative to established arts and culture (communication)institutions in Aalborg. 1000fryd is an association whose members identify themselvesand each other as being in opposition to the established artistic, cultural and politicallife in mainstream culture, and therefore they operate under the auspices of 1000-fryd. As such, 1000fryd appears as a cultural and political underground scene in NorthernJutland. The members of 1000fryd host well over two hundred events annually: concerts,festivals, happenings, exhibitions, etc., all of which are based on voluntary labour.1000fryd is organized according to participatory principles meaning that the influence of each activist on the movement’s cultural profile, event calendar, activities, etc. is relativelyhigh.The coupling between library and information science and this socio-culturalobject field is made out of interest for different knowledge forms used by the activistsin their handling of identity shifts at 1000fryd. Through analysis of how the activistsempower themselves and one another, their various internal and external inclusion andexclusion processes and their handling of emotional involvement and intellectual distance,I have studied the forms of knowledge that are active in the 1000fryd organisationand how they are used for identification purposes. By analyzing the activists’ negotiationof meaning and coherence in various public and semi-public contexts and theirhandling of late modern, cognitive and bodily experience, I have concluded that the organizationof knowledge that takes place at 1000fryd is mainly enabled through the useof symbols / symbol systems, discourse and key scenarios, polarization and narratives.Throughout the study, I have gotten a glimpse of the topics that currently preoccupy themembers at 1000fryd and how they administer this joint preoccupation.The dissertation contributes to research in library and information sciencewith new perspectives on the factors that motivate subjects to engage in socio-culturalcommunities, the various effects and consequences labelling and categorization have onthe members of such social movements, and the fact that members are not only surrenderedto comply with labelling and the stigmatizing naming of categorization, buthave different options to maintain an initiative. Members of social movements are activelyco-constructing their socio-cultural identities in a tension field between internaldebates and negotiations and external structures. In addition, the results indicate that artsand cultural (communication) institutions – especially public libraries – are acting in atension field between the interests of individual subject autonomy and collective obligationstowards society’s cohesiveness. This dualism appears in the role of public librariesas public arts and culture (communication) institutions that are subjected to local authoritycontrol, economics and legislation who, at the same time, stage themselves as civilarenas for individual experience, intellectual growth and interpersonal interaction.Those two roles are not always compatible.Last but not least, the thesis appears as an example of how cultural analysisas a scientific theory may be implemented in a library and information scientific context.