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  • 1. Bergsten, Staffan
    et al.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Litteraturvetenskap.
    Litteraturhistoriens grundbegrepp2004Book (Other (popular science, discussion, etc.))
  • 2.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    A medium-centered model of communication2018In: Semiotica, ISSN 0037-1998, E-ISSN 1613-3692, no 224, p. 269-293Article in journal (Refereed)
    Abstract [en]

    The aim of this article is to form a new communication model, which is centered on the intermediate stage of communication, here called medium. The model is intended to be irreducible, to highlight the essential communication entities and their interrelations, and potentially to cover all conceivable kinds of communication of meaning. It is designed to clearly account for both verbal and nonverbal meaning, the different roles played by minds and bodies in communication, and the relation between presemiotic and semiotic media features. As a result, the model also pinpoints fundamental obstacles for communication located in media products themselves, and demonstrates how Shannon's model of transmission of computable data can be incorporated in a model of human communication of meaning.

  • 3.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    A Theoretical Approach to Media Transformations2013In: Translatio : Transmédialité et transculturalité en littérature, peinture, photographie et au cinéma / [ed] Alfonso de Toro, Paris: L'Harmattan , 2013, p. 97-105Chapter in book (Refereed)
    Abstract [en]

    In this article, I will firstly sketch a fundamental distinction between representation and mediation, or, more specifically, between representation of media and transmediation. After that, I will discuss media characteristics that can be called “transmedial”, meaning that they can be successfully transferred from one medium to another. The aim is to establish a framework from which to develop a comprehensive theory of transmediality that has the capacity to include a wide range of phenomena that are characterized by transfers of media characteristics. To date, there has been no systematic account of all these phenomena. Existing research is characterized by compartmentalization, which does not favor a general understanding of transmedial relations. Most existing studies focus either on only a few media and their specific interrelations, or on limited study areas such as adaptation and ekphrasis. At the present time, adaptation is probably the most vigorous research area dedicated to the study of transmediality.

  • 4. Elleström, Lars
    ABC för perfekta lektioner: En optimistisk betraktelse1997In: Aktiva studenter: Exempel på undervisning som stimulerar till aktivitet / [ed] Lena Rickard, Lund: Universitetspedagogiskt centrum , 1997, p. 9-31Chapter in book (Other (popular science, discussion, etc.))
  • 5.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Adaptation and Intermediality2017In: The Oxford Handbook of Adaptation Studies / [ed] Thomas Leitch, New York: Oxford University Press, 2017, p. 509-526Chapter in book (Refereed)
    Abstract [en]

    The aim of this essay is to investigate the relation between adaptation and intermediality and to demonstrate why adaptation studies would profit from a broad intermedial research context. A list of ten ways of delimiting the notion of adaptation within the broader field of intermediality is presented and thoroughly discussed. The goal is to pinpoint border zones of adaptation that are only partly recognized as such by adaptation scholars. It is argued that failing to reflect on these borders ignores relevant neighbor disciplines, and that insufficient attention to related theoretical fields reduces the possibility for adaptation studies to produce research that is relevant for a broader range of phenomena and a broader field of scholars. The essay also briefly investigates some core issues of intermedial research, and hence of adaptation studies, and summarizes some vital notions that are helpful for investigating essential similarities and differences among media and for capturing the material and semiotic conditions for adaptation.

  • 6.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Adaptation within the field of media transformations2013In: Adaptation Studies: New Challenges, New Directions / [ed] Jørgen Bruhn, Anne Gjelsvik, Eirik Frisvold Hanssen, London & New York: Bloomsbury Academic, 2013, p. 113-132Chapter in book (Refereed)
  • 7. Elleström, Lars
    Anders Olsson: Ekelunds hunger1996In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 65, no 1, p. 59-60Article, book review (Other academic)
  • 8.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Att försöka förstå en dikt som inte vill bli förstådd: Om Katarina Frostenson1994In: Tidskrift för litteraturvetenskap, ISSN 0005-3198, Vol. 63, no 5, p. 39-41Article, book review (Other academic)
  • 9. Elleström, Lars
    Barndomen, åldrandets myt: Om Arne Johnssons lyrik1988In: Nordica, ISSN 0109-3967, Vol. 5, p. 95-105Article in journal (Refereed)
  • 10. Elleström, Lars
    Begärets mekanismer i "Dagen svalnar …"1988In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 75, no 1, p. 57-60Article in journal (Refereed)
  • 11. Elleström, Lars
    Bengt Emil Johnson och orden1986In: Horisont, ISSN 0439-5530, Vol. 33, no 6, p. 42-49Article in journal (Other academic)
  • 12.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Bridging the Gap Between Image and Metaphor Through Cross-Modal Iconicity: An Interdisciplinary Model2017In: Dimensions of Iconicity / [ed] Angelika Zirker, Matthias Bauer, Olga Fischer, Christina Ljungberg, Amsterdam: John Benjamins Publishing Company, 2017, Vol. 15, p. 167-190Chapter in book (Refereed)
    Abstract [en]

    Our minds are capable of perceiving similarities not only within the same but also across different sensory areas and different cognitive domains. Iconicity is representation based on similarity, and cross-modal iconicity, which is an extremely widespread phenomenon, should be understood as iconicity that crosses the borders of different kinds of material, spatiotemporal, and sensorial modes, and, furthermore, the border between sensory structures and cognitive configurations. For instance, a visual entity may resemble and thus iconically represent something that is auditory or abstractly cognitive. The aim of this semiotic study, substantially based on empirical findings in psychological, cognitive, and neurological research, is to suggest a general theoretical framework for conceptualizing cross-modal iconicity and relating different kinds of mono-modal and cross-modal iconicity to each other. Its chief argument is that perception and conception of images and metaphors should be understood as the two extremes in a continuum of iconic representation where cross-modal iconicity bridges the apparent gap between mono-modal, sensory-based iconicity and cognitive iconicity. It offers an outline of material, spatiotemporal, and sensorial modes and their interrelations; a thorough account of cross-modal iconicity; a conceptual structure for charting degrees of similarity and iconicity with the aid of cross-modality; an array of examples illustrating the continuum of iconicity from image to metaphor; and a brief discussion of the notion of image schema as an explanatory factor for cross-modal iconicity.

  • 13.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Coherence and truthfulness in communication: Intracommunicational and extracommunicational indexicality2018In: Semiotica, ISSN 0037-1998, E-ISSN 1613-3692, no 225, p. 423-446Article in journal (Refereed)
    Abstract [en]

    The aim of this article is to construct a model that demonstrates how human communication, involving all kinds of media, may not only correspond to but also put us in contact with what we perceive to be the surrounding world. In which ways is truthfulness actually established by communication ? To answer this, the notion of indices is employed: signs based on contiguity. However, an investigation of indices' outward direction - creating truthfulness in communication - also requires an understanding of their inward direction: establishing coherence. To investigate these two functions, further concepts and various elementary categorizations are proposed: it is argued that there are several types of contiguity and many varieties of indexical objects, which invalidates the coarse fiction-nonfiction distinction.

  • 14.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Litteraturvetenskap.
    Den brutna linjen: Några tankar kring en dikt av Harriet Löwenhjelm2001In: Vem skall jag fråga?: Om litteratur och livsåskådning, Växjö University Press, Växjö , 2001Chapter in book (Other academic)
  • 15. Elleström, Lars
    Det jävla svarta hålet: Om ironi och intighet hos Sonja Åkesson1994In: I diktens spegel: Nitton essäer tillägnade Bernt Olsson / [ed] Lars Elleström, Peter Luthersson, Anders Mortensen, Lund: Lund University Press , 1994, p. 309-329Chapter in book (Other academic)
  • 16.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities.
    Divine Madness: On Interpreting Literature, Music, and the Visual Arts Ironically2002Book (Refereed)
  • 17.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Ein mediumzentriertes Kommunikationsmodell2017In: Bildverstehen: Spielarten und Ausprägungen der Verarbeitung multimodaler Bildmedien / [ed] Lars C. Grabbe, Patrick Rupert-Kruse, Norbert M. Schmitz, Darmstadt: Büchner , 2017, p. 31-61Chapter in book (Refereed)
    Abstract [en]

    The aim of this article is to form a new communication model, which is centered on the intermediate stage of communication, here called medium. The model is intended to be irreducible, to highlight the essential communication entities and their interrelations, and potentially to cover all conceivable kinds of communication. It is designed to clearly account for both verbal and nonverbal meaning, the different roles played by minds and bodies in communication, and the relation between presemiotic and semiotic media features. As a result, the model also pinpoints fundamental obstacles for communication located in media products themselves, and demonstrates how Shannon’s (1948) model of transmission of computable data can be incorporated in a model of human communication of meaning.

  • 18.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Litteraturvetenskap.
    En ironisk historia: Från Lenngren till Lugn2005Book (Other academic)
  • 19. Elleström, Lars
    Epifenomenalism eller psykosomatik?: Kropp, kropp och själ i Kristina Lugns Hej då, ha det så bra!2006In: Tema: Kristina Lugn m.fl. / [ed] Sture Packalén, Västerås: Mälardalens högskola , 2006, p. 21-28Chapter in book (Other academic)
  • 20. Elleström, Lars
    Ett intensivt förhållande till tomheten: Om Ragnar Strömberg1996In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 65, no 6, p. 54-55Article, book review (Other academic)
  • 21. Elleström, Lars
    Fågel, fisk eller mittemellan?: Karl Vennberg och djuren1995In: Karl Vennberg, Jönköping: Konst- och kulturavdelningen, Landstinget , 1995, p. 41-53Chapter in book (Other academic)
  • 22. Elleström, Lars
    Gargantuas födelse1991In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 20, no 3, p. 3-8Article in journal (Other academic)
  • 23. Elleström, Lars
    Hvad söker du för hemligt spår?: "Den fasta punkten" hos Karlfeldt och Karl Vennberg1993In: Karlfeldt och modernisterna / [ed] Jöran Mjöberg, Malung: Dalaförlaget , 1993, p. 118-136Chapter in book (Other academic)
  • 24.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Iconicity as Meaning Miming Meaning and Meaning Miming Form2010In: Iconicity in Language and Literature, ISSN 1873-5037, Vol. 9, p. 73-100Article in journal (Refereed)
    Abstract [en]

    Iconicity consists of mimetic relations between form and meaning. This article is based on the notion of ‘spatial thinking’ and it is argued that there is no form without meaning, and that all meaning has some sort of form. Two fundamental distinctions are used. The first is Charles Sanders Peirce’s well-known division into three types of iconicity: image, diagram, and metaphor, which is extended to include ‘weak’ and ‘strong diagrams’. The second is a distinction between ontologically different appearances of signs: visual material signs, auditory material signs, and complex cognitive signs. A two-dimensional model illustrating the relations between these two distinctions is presented. The model is based on the assumption that iconicity, to a certain extent, is gradable, and it shows that the field of iconicity includes many phenomena that are not generally seen as related, but that nevertheless can be systematically compared. It also shows, among other things, that the ‘metaphor’ and the ‘weak diagram’ are singled out by the capacity of miming across the borders both between the visual and the auditory, and between the material and the mental. The main argument of the article is that iconicity should be understood not only as “form miming meaning and form miming form”, but also as “meaning miming meaning and meaning miming form”.

  • 25.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities.
    Ikonicitet: Visuella, auditiva och kognitiva tecken i litteratur och andra medier2008In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 21, no 1, p. 59-74Article in journal (Refereed)
    Abstract [sv]

    Iconicity consists of mimetic relations between form and meaning. This article is based on the notion of ‘spatial thinking’ and it is argued that there is no form without meaning, and that all meaning has some sort of form. Two fundamental distinctions are used. The first is Charles Sanders Peirce’s well-known division into three types of iconicity: image, diagram, and metaphor, which is extended to include ‘weak’ and ‘strong diagrams’. The second is a distinction between ontologically different appearances of signs: visual material signs, auditory material signs, and complex cognitive signs. A two-dimensional model illustrating the relations between these two distinctions is presented. The model is based on the assumption that iconicity, to a certain extent, is gradable, and it shows that the field of iconicity includes many phenomena that are not generally seen as related, but that nevertheless can be systematically compared. It also shows, among other things, that the ‘metaphor’ and the ‘weak diagram’ are singled out by the capacity of miming across the borders both between the visual and the auditory, and between the material and the mental. The main argument of the article is that iconicity should be understood not only as “form miming meaning and form miming form”, but also as “meaning miming meaning and meaning miming form”.

  • 26.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Litteraturvetenskap.
    Ingemar Haag: Det groteska. Kroppens språk och språkets kropp i svensk lyrisk modernism2000In: Samlaren, ISSN 0348-6133, Vol. 120Article, book review (Other academic)
  • 27.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Inledning2011In: Intermediala perspektiv på medeltida ballader / [ed] Lars Elleström, Möklinta: Gidlunds förlag, 2011, p. 9-12Chapter in book (Refereed)
  • 28.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Intermediala perspektiv på medeltida ballader2011Collection (editor) (Refereed)
    Abstract [sv]

    Forskningsprojektet ”Intermedialitet och den medeltida balladen”, med deltagare från flera olika humanistiska forskningsområden, har pågått under åren 2006–2010 inom ramen för verksamheten vid Forum för intermediala studier (Ims), Linnéuniversitetet. Syftet med projektet har varit att vitalisera ett klassiskt studiefält, den medeltida balladen, genom att föra in moderna vetenskapliga begrepp och teorier. Den medeltida balladen var sannolikt ursprungligen en sorts allkonstverk med dans, gester och sång, men genom historiens traderings- och medieringsprocesser har den emellanåt förvandlats till en litterär genre: texter i böcker där musik och kroppsligt framförande helt försvunnit. Denna insnävning av balladen är paradoxalt nog delvis ett resultat av ambitionen att rädda den undan glömska. I äldre tider fanns helt enkelt inte tekniska medier för lagring och reproduktion av ljudande musik och rörliga visuella uttryck och det saknades bland upptecknarna i stor utsträckning kunskap om musikalisk notation. När balladerna bevarades till eftervärlden som nedskrivna texter så förvanskades de alltså samtidigt.

    Eftersom en stor del av den moderna balladforskningen har inriktats på balladernas nedskrivna och tryckta textversioner är det motiverat att med hjälp av intermedial teoribildning försöka belysa den medeltida balladens status av genre- och medieöverskridande konstform. Tidigare publikationer inom projektet har bland annat förmedlat resultat av filologisk grundforskning. En av projektets utgångspunkter var nämligen ett stort manuskriptfynd i Växjö stadsbibliotek som visade sig innehålla delvis nya balladtexter och ovanligt goda melodiuppteckningar. Flera av artiklarna i En värld för sig själv. Nya studier i medeltida ballader, som publicerades 2008 under redaktion av Gunilla Byrman, analyserar och anlägger olika perspektiv på George Stephens och hans återupptäckta handskriftssamling som är arkiverad på Växjö stadsbibliotek.[1] Volymen innehåller också artiklar om Näcken i sägen och ballad, studier av Gunnar Olof Hyltén Cavallius naturmytiska universum och en genomgång av vis- och balladsamlande i Småland. Dessutom finns i antologin en registrant över handskriftsamlingens ballader. I inledningen till En värld för sig själv, skriven av Sigurd Kværndrup och Boel Lindberg, finns presentationer och diskussioner av bland annat balladen som konstform, balladkategorierna, tidigare balladforskning, manuskriptsamlingen på Växjö stadsbibliotek, George Stephens manuskriptsamling och textkritiska principer inom balladforskningen. I fråst och i kålle. Texter från nordiskt balladmöte är en webbantologi redigerad av Karin Eriksson som kom ut 2009.[2] Samlingens artiklar är skrivna av forskare, utövare och pedagoger och visar på områdets bredd och livaktighet även långt utanför universitetsvärlden. Alla texter anknyter på ett eller annat sätt till ballader; alltifrån reflektioner över en enskild visa till studier av språket i ballader, balladers förhållande till andra uttrycksformer och hur dagens utövare använder ballader på olika sätt.

    I centrum för intresset i föreliggande volym står frågan hur man kan förstå den medeltida balladens relationer till andra medier och konstformer och hur man kan beskriva de många historiska transformationer som den genomgått: dansinslagen har försvunnit och sedan återkommit i möjligen ny form, melodier har bytts ut och anpassats, strofformer har omdanats, användningssätten har förändrats genom nya traditioner och sociala sammanhang och så vidare. Emellanåt har det också skett radikala transformationer, främst i samband med ”litterariseringen” då de orala traditionerna omstöptes till litteratur, med allt vad det innebar av radikalt förändrad medieringsform och även reviderade estetiska ideal. Skriftkulturen ställer helt enkelt andra krav än den orala kulturen. Parallellt med dessa skeenden har balladernas motivvärld varit levande och genomgått förvandlingar inom bildkonsten: i kalkmålningar och dopfuntar i nordiska kyrkor och i äldre tiders tryck, tavlor och bonader. Slutligen får man inte glömma att den medeltida balladen i modern tid återuppstått i både gammal och ny dräkt: balladdansen, som hållits levande på Färöarna, är en marginell men dock levande tradition, medan 1900-talets folkmusikrörelse återigen levandegjorde de gamla balladerna med hjälp av nya melodier, instrument och framförandesätt.

    Volymens artiklar försöker genom både teoretiska ansatser och konkreta materialundersökningar reda ut hur en del av dessa många transformationer kan förklaras och förstås. I metodiskt hänseende arbetar således artikelförfattarna med teoretisk begreppsutredning, granskning av historiskt källmaterial, motivundersökning, social och idéhistorisk kontextualisering samt text-, bild- och melodianalys. Resultatet av studierna är en fördjupad förståelse av den både historiska och mediemässiga komplexitet som balladbegreppet rymmer. Med hjälp av det intermediala perspektivet kan också en rad egenskaper i olika balladvarianter förklaras på ett sätt som vore omöjligt utan jämförelser över mediegränserna. Denna förståelse är värdefull, dels för att den medeltida balladen är en av våra äldsta kända kulturformer, som inte bara har överlevt utan även vitaliserats i modern tid, dels för att den är ett samnordiskt fenomen som utgör en betydelsefull källa till insikter i historiskt och kulturellt samröre mellan de nordiska länderna och deras grannar ute i världen. Den medeltida balladen kan således ses som en sorts paradigm för interkulturella och intermediala relationer generellt.

    Artikeln ”Den intermediala balladen” av Lars Elleström och Sigurd Kværndrup presenterar en grundläggande teoretisk intermedialitetsmodell och ger en översikt över den medeltida balladens mediala transformationer genom historien. I ”Leken till balladen. Ett bidrag till diskussionen om förhållandet mellan form och användning” utreder Karin Eriksson balladens komplexa relationer till sångleken genom att undersöka såväl texter som sociala kontexter. I ”Karen Brahes Folio. Textualisering och medialisering av orala ballader” påvisar Sigurd Kværndrup att det viktiga men omstridda manuskriptet ”Karen Brahes Folio” har en intrikat komposition och han analyserar också olika strategier för textualisering av orala ballader. ”Intermediala perspektiv på Stefan och Herodes”, skriven av Jørgen Bruhn och Karin Eriksson, följer legenden om Stefan och Herodes från äldsta tider och fram till den för oss välkända visan om Staffan stalledräng. Såväl skriftliga som bildmässiga medier undersöks, inte minst dopfuntsreliefer, målningar och ballader. Karin Erikssons och Sigurd Kværndrups artikel ”’Liten vallpiga’. En folklig ballad i text och musik” presenterar noggranna analyser av text och melodi till de många varianterna av den representativa balladen ”Liten vallpiga” och belyser hur ”samma” ballad kan utformas så att den såväl innehållsmässigt som musikaliskt får helt olika karaktär. I artikeln ”Kvinnlig lättja som motiv i ballad och bild”, slutligen, följer Margareta Wallin Wictorin motivet ”kvinnlig lättja” genom olika historiska sammanhang och en lång rad bilduttryck för att kunna visa motivets tveeggade udd i de skilda varianterna av ett par medeltida ballader.

    [1]Byrman, red., En värld för sig själv. Nya studier i medeltida ballader, 2008.

    [2]Eriksson, red., I fråst och i kålle. Texter från nordiskt balladmöte, Växjö, 2008, http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-4895.

  • 29.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Introduction2010In: Media Borders, Multimodality and Intermediality / [ed] Lars Elleström, Houndmills: Palgrave Macmillan, 2010, p. 1-8Chapter in book (Refereed)
  • 30.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Introduction: Instrumental and formal iconic signs2013In: Iconicity in Language and Literature, ISSN 1873-5037, Vol. 12, p. 1-10Article in journal (Refereed)
  • 31. Elleström, Lars
    Ironiska(?) könsroller hos Lenngren och LOB1996In: Litteratur og kjønn i Norden / [ed] Helga Kress, Reykjavík: Háskólaútgáfan, Universitetets forlag , 1996, p. 563-568Chapter in book (Other academic)
  • 32.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Jan Hellgren: Det osynligas arkitektur. Om rumsligheten i Bo Carpelans författarskap2010In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 130, p. 272-277Article, book review (Other academic)
  • 33.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Johan Alfredsson: ”Tro mig på min ort”. Oöversättligheten som tematiskt komplex i Bengt Emil Johnsons poesi 1973–19822011In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 131, p. 389-392Article, book review (Other academic)
  • 34. Elleström, Lars
    Karin Bellman1993In: The Nordic Poetry Festival Anthology / [ed] Kajsa Leander, Ernst Malmsten, New York: The Nordic Poetry Festival , 1993, p. 10-11Chapter in book (Other (popular science, discussion, etc.))
  • 35.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Litteraturvetenskap.
    Karin Nykvist: Poesi som poetik. Idéer om diktkonst i Jesper Svenbros lyrik2004In: Samlaren, ISSN 0348-6133, Vol. 124Article, book review (Other academic)
  • 36. Elleström, Lars
    Kryssningar längs ett spår i den konkreta poesin1995In: Möten och metamorfoser: Dikt i samspel med musik, bild och film, Lund: Litteraturvetenskapliga institutionen , 1995, p. 117-131Chapter in book (Other academic)
  • 37.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Kön och ironi: En linje i samtida svensk lyrik2010In: Genusvetenskapliga litteraturanalyser / [ed] Åsa Arping och Anna Nordenstam, Lund: Studentlitteratur, 2010, p. 157-178Chapter in book (Other academic)
  • 38. Elleström, Lars
    Kön och ironi: En linje i samtida svensk lyrik1995In: Synsvinkler, ISSN 0907-046X, no särnummer, p. 43-66Article in journal (Other academic)
  • 39.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Litteraturvetenskap.
    Kön och ironi: En linje i samtida svensk lyrik2005In: Feministiska litteraturanalyser 1972-2002, Studentlitteratur, Lund , 2005Chapter in book (Other academic)
  • 40.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Litteraturvetenskap.
    Lyrikanalys: En introduktion1999Book (Other (popular science, discussion, etc.))
  • 41.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Mail Art: Konst på resande fot2013In: Resor i tid och rum: Festskrift till Margareta Petersson / [ed] Annette Årheim, Maria Olaussen, Peter Forsgren, Lars Elleström, Göteborg: Makadam Förlag, 2013, p. 92-108Chapter in book (Other academic)
  • 42.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Material and Mental Representation: Peirce Adapted to the Study of Media and Arts2014In: American Journal of Semiotics, ISSN 0277-7126, E-ISSN 2153-2990, Vol. 30, no 1-2, p. 83-138Article in journal (Refereed)
    Abstract [en]

    The aim of this article is to adapt Peirce’s semiotics to the study of media and arts. While some Peircean notions are criticized and rejected, constructive ways of understanding Peirce’s ideas are suggested, and a number of new notions, which are intended to highlight crucial aspects of semiosis, are then introduced. All these ideas and notions are systematically related to one another within the frames of a consistent terminology. The article starts with an investigation of Peirce’s three sign constituents and their interrelations: the representamen, the object, and the interpretant. A new approach to the interrelations of these three sign constituents is then suggested and manifested in a distinction between representation and neopresentation. This is followed by a critical discussion of Peirce’s three types of representation — iconicity, indexicality, and symbolicity — and their interrelations, which sets the stage for a presentation of what is referred to as the material and mental representation (MMR) model. This model aims to illuminate the problematic relation between material and mental facets of signification triggered by media and art products, and other material things and phenomena.

  • 43.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Media Borders, Multimodality and Intermediality2010Collection (editor) (Refereed)
    Abstract [en]

    Media Borders, Multimodality and Intermediality is a collection of sixteen essays dealing with theoretical questions concerning the relations between various forms of art and new media. Intermediality and multimodality have become buzzwords over the last decade, but surprisingly little effort has been made to circumscribe theoretically what media and modes actually are and how the notions of intermediality and multimodality are related. The aim of the volume is to illuminate these very basic queries in order to facilitate communication and theoretical cross-fertilization over the borders between the aesthetic disciplines, media and communication studies, semiotics, linguistics, and other research fields. The essays deal with combinations, integrations, mediations and transformations of old and new media. Theoretical issues, centred on the core question of media borders, are foregrounded, but the volume also includes a wide range of case studies, including medieval ballads, biopoetry, Lettrism, television, field guides, music, film, digital media and performance.

  • 44.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Media Transformation: The Transfer of Media Characteristics Among Media2014Book (Refereed)
    Abstract [en]

    Why are some kinds of information and qualities possible to transfer from one medium to another type of medium, whereas others resist intermedial transfer? This basic question guides the investigations in Media Transformation of communicative phenomena that are in a way self-evident and yet highly complex and difficult to explain. The book is a methodical study of the material and mental limits and possibilities of transferring information and media characteristics among dissimilar media. Whereas media such as speech, gestures, writing, music, films, and websites are clearly different, they also have common traits that enable systematic comparison. Elleström proposes a theoretical model for pinpointing the most vital conceptual entities and stages of intermedial transfers and illustrates how the model can be used in practical analysis.

  • 45.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Mediernes modaliteter: En model til forståelse af intermediale relationer2012In: Medialitet, intermedialitet og analyse / [ed] Birgitte Stougaard Pedersen och Mette-Marie Zacher Sørensen, Aarhus: Akademiet for Æstetikfaglig forskeruddannelse , 2012, p. 13-49Chapter in book (Refereed)
  • 46.
    Elleström, Lars
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities.
    Mer om naiviserande lärobokspedagogik2002In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 31, no 3, p. 99-101Article in journal (Other (popular science, discussion, etc.))
  • 47.
    Elleström, Lars
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Metaromanen som bara vill vara roman: Om Lennart Hagerfors1994In: Tidskrift för litteraturvetenskap, ISSN 0005-3198, Vol. 63, no 1, p. 52-53Article, book review (Other academic)
  • 48.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Midialidade: Ensaios sobre comunicação, semiótica e intermidialidade2017Book (Refereed)
  • 49.
    Elleström, Lars
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Modelling Human Communication: Mediality and Semiotics2018In: Meanings & Co.: The Interdisciplinarity of Communication, Semiotics and Multimodality / [ed] Alin Olteanu, Andrew Stables, Dumitru Borţun, Cham: Springer, 2018, p. 7-32Chapter in book (Refereed)
    Abstract [en]

    The article delineates a model of communication among human mindsthat is designed to work equally well for all kinds of nonverbal and verbal significance.The model thus allows for detailed analysis of and comparison among allvarieties of human communication. In particular, the transitional stage of communication,which is termed the media product, is thoroughly developed andconceptualized in terms of mediality and semiosis. By way of mapping basic mediadissimilarities that are vital for differing communicative capacities, the modelexplains both how various sorts of significance can be transferred among minds,and why they cannot always be realized. The article furthermore suggests a semioticframework for conceptualizing the familiar notion that communication is alsostrongly predisposed by surrounding factors such as earlier experiences and culturalinfluence.

  • 50. Elleström, Lars
    Musik och ironi: Några reflexioner kring Sjostakovitj och Cage1994In: Nutida musik, ISSN 0029-6597, Vol. 37, no 2, p. 54-60Article in journal (Refereed)
12 1 - 50 of 90
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