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  • 1.
    Bruhn, Jørgen
    et al.
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Löwe, CorinaLinnaeus University, Faculty of Arts and Humanities, Department of Languages.Lutas, LiviuLinnaeus University, Faculty of Arts and Humanities, Department of Languages.Rossholm, Anna SofiaLinnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.Salmose, NiklasLinnaeus University, Faculty of Arts and Humanities, Department of Languages.Tornborg, EmmaLinnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.Almgren White, Anette
    Ekfrase: Nordisk Tidsskrift for Visuell Kultur2016Collection (editor) (Refereed)
  • 2. Hanssen, Eirik Frisvold
    et al.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    The Paradoxes of Textual Fidelity: Translation and Intertitles in Victor Sjöström's Film Adaptation of Henrik Ibsen's Terje Vigen2012In: Translation, Adaptation and Transformation / [ed] Laurence Raw, London: Continuum, 2012Chapter in book (Refereed)
  • 3.
    Holmberg, Jan
    et al.
    Ingmar Bergman Foundation;Ingmar Bergman Archives;Stockholm University, Sweden.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Screened Writing: notes on Bergman's hand2015In: Word and Image, ISSN 0266-6286, E-ISSN 1943-2178, Vol. 31, no 4, p. 459-472Article in journal (Refereed)
    Abstract [en]

    The secret wish of filmmaker Ingmar Bergman to become a writer is evident in at least two ways: (1) his repeated emphatic claims that he did not; (2) his way of sneaking in writing into his films. This article focuses on the latter. Seemingly unrevised and preliminary, textual information takes the shape of letters and notes written and/or read by the characters. When literary passages seemingly do occur (as in, for example, Persona), the quoted text in question is faked. If textual messages are emphasized in Bergman, it is less as literature than as the act of writing, a physical matter of paper, pen, or typewriter. This article investigates Bergman’s writing less in the auteur sense of him writing his own scripts, than in how writing permeates his work to the point where his films could be considered as productive detours. By looking at fictitious acts of writing in his films as well as the author’s own, peculiarly self-reflexive, writing habits insofar they are discernible in the Ingmar Bergman Archives, this article overturns the traditional notion of the screenplay as a kind of half-measure or necessary evil vis-à-vis the film.

  • 4.
    Larsson, Mariah
    et al.
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Documenting the present, processing the past, shaping future memory: The Face of AIDS Film Archive2017In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 7, no 2, p. 93-98Article in journal (Refereed)
    Abstract [en]

    The Face of AIDS Film Archive consists of documentation of the HIV/AIDS epidemic, shot all over the world beginning in 1988 by Swedish filmmaker and journalist Staffan Hildebrand. In this article, the archive’s particular characteristic of process is discussed and examined through four different perspectives: first, as an ongoing documentation of HIV/AIDS in the contemporaneous moments when it was filmed; second, as a commission of the Karolinska Institute in Stockholm; third, as the product of a director with a strong personal vision and authorial presence; and finally, as an expression of Hildebrand’s self-defined AIDS activism.

  • 5.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Auto-adaptation and the movement of writing across media: Ingemar Bergman's notebooks2013In: Adapation Studies: New Challenges, New Directions / [ed] Jorgen Bruhn, Anne Gjelsvik, Eirik Frisvold Hanssen, London: Bloomsbury Academic, 2013, p. 203-222Chapter in book (Refereed)
  • 6.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Blicken som gör bilder av det intima: Blå är den varmaste färgen2013Other (Other (popular science, discussion, etc.))
  • 7.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Canon Formation as Refractions between the Arts: Film and Literature in Swedish Cinema 1916-19242011In: The Film Canon, Udine: Forum , 2011Chapter in book (Other academic)
  • 8.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Christophe Bonneuil och Jean-Baptiste Fressoz : L’Evénement Anthropocene: La terre, l’histoire et nous, Seuil, 2013, 320 sidor / Christophe Bonneuil och Jean-Baptiste Fressoz, The Shock of the Anthropocene : The Earth, History and Us, Verso, 2016, 306 sidor2016In: Ekfrase: Nordisk Tidsskrift for Visuell Kultur, ISSN 1891-5752, E-ISSN 1891-5760, Vol. 7, no 1-2, p. 64-66Article, book review (Other academic)
  • 9.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Den lekfulla skriften: Autofiktion och minne i Ingmar Bergmans arbetsböcker och manusutkast2015In: Kladd, utkast, avskrift: Studier av litterära tillkomstprocesser / [ed] Paula Henrikson, Jon Viklund, Uppsala: Uppsala universitet, 2015, p. 59-80Chapter in book (Refereed)
  • 10.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Det konstnärliga skapandets paradoxer: Bergmans arbete med Höstsonaten2016In: TeaterrummetArticle, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    Filmvetaren Anna Sofia Rossholm dyker ned i Ingmar Bergmans arbetsbok från Höstsonaten och hittar ett konstnärskap sprunget ur ett ständigt skiftande perspektiv mellan fantasi och verklighet, smärta och distans.

  • 11.
    Rossholm, Anna Sofia
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities.
    Det slutna filmrummet2009In: Dagens Nyheter EssäArticle, book review (Other (popular science, discussion, etc.))
  • 12.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    En hemmablind regering2014Other (Other (popular science, discussion, etc.))
  • 13.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Film och litteratur i sampel: Hugo Cabret2016In: Introduktion till filmpedagogik: Vita duken som svarta tavlan / [ed] Malena Janson, Malmö: Gleerups Utbildning AB, 2016, 2, p. 197-210Chapter in book (Other academic)
  • 14.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Film och litteratur i svenskundervisningen: Exemplet Sommaren med Monika2016In: Möten med mening: Ämnesdidaktiska fallstudier i konst och humaniora / [ed] Karin L. Eriksson, Lund: Nordic Academic Press, 2016, p. 225-240Chapter in book (Other academic)
  • 15. Rossholm, Anna Sofia
    Gesten: Bergman efter Bergman2014In: FLM: En kulturtidskrift om film, ISSN 1654-711X, no 29, p. 27-31Article in journal (Other (popular science, discussion, etc.))
  • 16.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Ingmar Bergman och den lekfulla skriften: Studier av anteckningar, utkast och filmidéer i arkivets samlingar2017Book (Refereed)
  • 17.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Ingmar Bergman’s Screenwriting2014In: Journal of Scandinavian Cinema, ISSN 2042-7891, E-ISSN 2042-7905, Vol. 4, no 2, p. 165-171Article in journal (Refereed)
    Abstract [en]

    Via a combination of screenwriting theory and theories on literary manuscripts, this article approaches Ingmar Bergman’s screenwriting as process, from notebooks to script drafts and finished screenplays. It particularly emphasizes the playful dimensions in the early stages of the screenwriting process and the way the writing negotiates fiction and reality.

  • 18.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Michael Haneke och Slavoj Zizek om våldets två ansikten2010In: Humanetten, ISSN 1403-2279Article, book review (Other (popular science, discussion, etc.))
  • 19.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Moving Mountains: Cinema, Deep Tome and Climate Change in Hanna Ljungh's I am Mountain, to Measure Impermanence2018In: Nordic Narratives of Nature and the Environment: Ecocritical Approaches to Northern European Literatures and Cultures / [ed] Peter Degerman, Anna-Karin Jonasson, Hennig Reinhard, Lanham: Lexington Books, 2018, p. 39-48Chapter in book (Refereed)
  • 20.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Och världen smälte2017In: FLM : Kulturtidskrift om film, ISSN 1654-711X, Vol. 10, no 37, p. 32-38Article, book review (Other (popular science, discussion, etc.))
  • 21.
    Rossholm, Anna Sofia
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities.
    Reproducing Languages, Translating Bodies: Approaches to Speech, Translation and Cultural Identity in Early European Sound Film,2006Doctoral thesis, monograph (Other academic)
  • 22.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Review: Teaching Adaptations, Deborah Cartmell and Imelda Whelehan (eds) (2014) Basingstoke: Palgrave Macmillian2016In: Journal of Screenwriting, ISSN 1759-7137, E-ISSN 1759-7145, Vol. 7, no 2, p. 228-230Article, book review (Other academic)
  • 23.
    Rossholm, Anna Sofia
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities.
    Scènes de la vie conjugale d’Ingmar Bergman: la télévision et la mise en scène de l’intime2009In: Cinema & Cie. International film studies journal, ISSN 2035-5270, no 2, p. 37-Article in journal (Refereed)
  • 24.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Tracing the Voice of the Auteur: Persona and the Ingmar Bergman Archive2013In: Journal of Screenwriting, ISSN 1759-7137, E-ISSN 1759-7145, Vol. 4, no 2, p. 135-148Article in journal (Refereed)
    Abstract [en]

    This article discusses the Ingmar Bergman Archive, a donation by Bergman himself, mainly consisting of notebooks, manuscripts, production documents and letters, as well as the screenwriting process behind the film Persona (1966). The study approaches the digital manuscript archive as an interface that lends itself to an understanding of the artwork as continuous movement of transformation across media, an understanding that also links to aesthetical ideas on the relations between words and images expressed in Bergman’s cinematographic work. The study opens with a discussion of these issues and continues with a reading of the self-reflexive film Persona in order to examine how the explicit reflections on the mediation are negotiated across notebook drafts and scripts. The different phases in the process of creation – from notes and drafts to script versions and film – reflect on the transitory nature of the text as well as drawing on the specificities of each form of expression.

  • 25.
    Rossholm, Anna Sofia
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Tysk film mellan hem och hemlöshet2014In: FLM: En tidskrift om film, ISSN 1654-711XArticle in journal (Other (popular science, discussion, etc.))
  • 26.
    Rossholm, Anna Sofia
    et al.
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Schirrmacher, Beate
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Witnessing AIDS in the Archive2018In: A Visual History of HIV/AIDS: Exploring the Face of AIDS Film Archive / [ed] Elisabeth Björklund, Mariah Larsson, Abingdon & New York, NY: Routledge, 2018, p. 28-43Chapter in book (Refereed)
    Abstract [en]

    This article examines the Face of AIDS Film Archive from the perspective of witnessing, asking how different narratives both testify and bear witness to different experiences and changing perspectives. This approach has the potential to convey new insights into HIV and AIDS that go beyond the established facts and mainstream narratives.

    The article uses the case study of the 1988 interview with Lyle Taylor, a dying AIDS patient in Sydney, and its remediation within the archive. This was the filmmaker Staffan Hildebrand’s first interview with a person dying from AIDS.

    The analysis focuses on how witnessing relates the spoken word to its context. In exploring the remediation of this interview via edited material, the analysis shows how the same verbal testimony is changed by its context. In exploring the raw footage of the interview, different narratives that express and defend subjectivity bear witness to the experience of HIV and AIDS.

  • 27.
    Rossholm, Anna Sofia
    et al.
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Viklund, Jon
    Verkets förvandlingar: Ekelöf, Bergman och den genetiska kritiken2011In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 1, p. 5-24Article in journal (Refereed)
1 - 27 of 27
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