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  • 1.
    Ebeling, Smilla
    et al.
    Carl von Ossietzky Univ Oldenburg, Germany.
    Cremer, Katharina Emilia
    Wagner, Anthony
    Linnaeus University, Faculty of Arts and Humanities, Department of Design.
    Science Policy at the Frontier of heteronormative Bi-sexualism2016In: Zeitschrift für Sexualforschung, ISSN 0932-8114, E-ISSN 1438-9460, Vol. 29, no 1, p. 42-47Article in journal (Other academic)
  • 2.
    Steinbock, Eliza
    et al.
    Leiden University, The Netherlands.
    Sczcygielska, MariannaCentral European University, Hungary.Wagner, AnthonyLinnaeus University, Faculty of Arts and Humanities, Department of Design.
    Tranimacies: intimate links between animal and trans* studies2017Collection (editor) (Refereed)
  • 3.
    Steinbock, Eliza
    et al.
    Leiden University, The Netherlands.
    Szczygielska, Marianna
    Central European University, Hungary.
    Wagner, Anthony
    Linnaeus University, Faculty of Arts and Humanities, Department of Design.
    THINKING LINKING2017In: Angelaki, ISSN 0969-725X, E-ISSN 1469-2899, Vol. 22, no 2, p. 1-10Article in journal (Refereed)
  • 4.
    Wagner, Anthony
    Academy of Fine Arts Vienna, Austria.
    Artist Statement: Visible Monstrosity as Empowerment2015In: Transgender Studies Quarterly, ISSN 2328-9252, E-ISSN 2328-9260, Vol. 2, no 2, p. 341-344Article in journal (Other academic)
    Abstract [en]

    “Visible Monstrosity as Empowerment” asks, How can we own the transgender imaginary? Anthony Clair Wagner uses the figure of the monster in their art to reflect the stigmatization of monsterized others, specifically transsexuals. Wagner proposes that refusing hegemonic shame and boundaries through embracing the stigmatizing figure of the monster helps deconstruct the violent hegemonic imaginary. They call for monstrous visibility. In this artist statement Wagner explains the importance of the appropriation of the figure of the monster in their art as a tool for empowerment.

  • 5.
    Wagner, Anthony
    Academy of Fine Arts Vienna, Austria.
    Die Emanzipation der Monster2011In: Kulturrisse, ISSN 1818-1694, no 1Article in journal (Other academic)
  • 6.
    Wagner, Anthony
    Academy of Fine Arts Vienna, Austria.
    Die Emanzipation der Monster2011In: Kulturrisse, ISSN 1990-3545, no 1Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Eines der größten Probleme, denen sich transidente Personen ausgesetzt sehen, ist die Naturalisierung der Welt. Naturalisierung passiert, wenn wir aufgrund unserer kulturellen Vorstellungen etwas, wie bspw. Heterosexualität, als natürlich betrachten, unabhängig davon, wie die Fakten sind. Demnach ist Homosexualität widernatürlich, da diese in der Natur nicht vorkäme. Es hat lange gedauert, bis es WissenschaftlerInnen möglich war, dieses Argument mit Fakten zu widerlegen.

  • 7.
    Wagner, Anthony
    Linnaeus University, Faculty of Arts and Humanities, Department of Design.
    I Can Afford Subversive Dreams2017In: Letters to the Future: Cumulus Conference Proceedings Bengaluru 2017 / [ed] Ayisha Abraham, Pooja Sagar, Tapasya Thapa, Bangalore & Espoo: Srishti Institute of Art, Design and Technology & Cumulus international Association of universities and Colleges in Art, design and Media , 2017, p. 79-88Conference paper (Other academic)
    Abstract [en]

    Wellbeing is a rare luxury. It can even be a fragile utopia for many so-called extreme users- people whose bodies, lives or interests are considered to fall out of the accepted norms. In its extreme, normative society ́s apprehensions, directed towards extreme users, can manifest as fears or phobias, for example, homophobia, transphobia or ableism.

    Continuously confronted with marginalisation and discrimination, extreme users have to develop considerable ambition to ensure their own wellbeing. This ambition can take the form of exploration and creation of options through play. I am a privileged extreme user because I feel I canafford to play. As an artist, I play at performing alternative realities and possible utopias. As a designer, I play at creating my own space in the world through, what I call, subversive design. That is, the subversive modification or creation of objects, languages or systems that meet the needs of users neglected by dominant norms. This paper introduces the concept of subversive design and its significance for society, using examples of transmasculine and non-binary clothing strategies. In conclusion, it argues that society could become more sustainable through merging subversive design, inclusive design and participatory design to enable wellbeing and equality for everyone.

  • 8.
    Wagner, Anthony
    University of Vienna, Austria.
    MONSTERS ‘R’ US: The Emergence of a Workshop2012In: Import - Export - Transport: Queer Theory, Queer Critique and Activism in Motion / [ed] Sushila Mesquita,Maria Katharina Wiedlack, Katrin Lasthofer, Vienna: Zaglossus , 2012, p. 340-349Chapter in book (Other academic)
  • 9.
    Wagner, Anthony
    Academy of Fine Arts Vienna, Austria.
    On Elves and Beasts: An Intervention Into Normative Imaginaries2010In: Graduate Journal of Social Science, ISSN 1572-3763, E-ISSN 1572-3763, Vol. 7, no 2, p. 44-56Article in journal (Other academic)
    Abstract [en]

    The Elf and the Beast are my artisitc alter egos which I employ in order to make visible certain aspects of, and reflections on, my trans-experience and –identity by means of video, photography and performance.

    I began developing these non-human identities in my art while living isolated in the rural Austrian countryside. Only later on, when I learned about the many fields of existing transgender discourse, did I start to realize how my figurations eerily reflect certain aspects of Donna Haraway´s work (e.g. ‘Promises of Monsters’), and Susan Stryker’s use of Frankenstein´s Monster as her voice.

    In my paper I talk about how adopting non-human somatechnics and embodying the resulting creatures allows me to distance myself from the restrictions of our social understanding of what the human is. Further I speak about how it allows me to contemplate my situation in reference to the binary gender system and a range of somatechnics that are outside the performability of my transidentity. I also discuss the use of non-human somatechnics as opening up options of accessing and expressing transpower: the power that inhabits transgressions of physical, mental, and other ensuing restrictions.

    My alter egos might entice us into practicing joyful resistances against categorizations within the cultural norms linked to gender, sex and sexuality.

  • 10.
    Wagner, Anthony
    Linnaeus University, Faculty of Arts and Humanities, Department of Design.
    Reappropriating the Monster: Potential for Perverted Assemblages2017In: Perverse Assemblages: Queering Heteronormativity Inter/Medially / [ed] Barbara Paul, Josch Hoenes, Atlanta Ina Beyer, Natascha Frankenberg and Rena Onat, Berlin: Revolver Publishing , 2017, p. 45-58Chapter in book (Other academic)
  • 11.
    Wagner, Anthony
    Linnaeus University, Faculty of Arts and Humanities, Department of Design.
    Wieder-Aneignung des Monsters: ein Potential für perverse Gefüge2017In: Transfer und Interaktion: Wissenschaft und Aktivismus an den Grenzen heteronormativer Zweigeschlechtlichkeit / [ed] Josch Hoenes, Michael_a Koch, Oldenburg: BIS Oldenburg, 2017, p. 241-264Chapter in book (Other academic)
  • 12. Wagner, Anthony
    et al.
    Borcherding, Jens
    Monster, Begehren Und Das Virale2012In: Trans*_Homo: Differenzen, Allianzen, Wiedersprüche. Differences, Alliances, Contradictions / [ed] Justin Time, Jannik Franzen, Berlin: NoNo Verlag , 2012, p. 117-126Chapter in book (Other (popular science, discussion, etc.))
1 - 12 of 12
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