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  • 1.
    Bäcklund, Jan
    The Royal Danish Academy of Fine Arts, Denmark.
    Adfærdens objekt: Den sig opførende krops omvending af intentionalitet og kausalitet for et fremtidigt kunsthistorisk narrativ2017In: Passepartout - Skrifter for kunsthistorie, ISSN 0908-5351, no Særskriftsserie 4, p. 143-152Article in journal (Refereed)
    Abstract [en]

    The emerging revaluation of The Baroness, Elsa von Freytag-Loringhoven is surprisingly not driven by any alleged 'first readymade', but rather by her performative practices and in-real-life behaviour as "allographic strategies" against the hypertrophies of the art work and the artist. This performative mode points at altogether different art historical vector, a vector than stems from the Berlin cabaret scene and gives a partial explanation to the otherwise inexplicable recent interest in Aby Warburg's Mnemosyne project. It is suggested here that when allographic practices, together with the recent focus on performativity, are included in the context of the intrinsic "autographical" character of visual art, will have far-reaching consequences for the status of the art work (towards an affective documentality) and its "author fuction" (towards an ambiguity with regard to subject-object positions).

  • 2.
    Bäcklund, Jan
    Linnaeus University, Faculty of Arts and Humanities, Department of Music and Art.
    Arkiv och encyklopedik: Spekulation i rundgång omkring museet som samlare av (exempelvis) konst1999In: Passepartout - Skrifter for kunsthistorie, ISSN 0908-5351, Vol. 7, no 14, p. 37-55Article in journal (Refereed)
  • 3.
    Bäcklund, Jan
    Linnaeus University, Faculty of Arts and Humanities, Department of Music and Art.
    Design och de sköna konsternas intimsystem: Teckningen. Modellen. Figuri­nen1998In: Passepartout - Skrifter for kunsthistorie, ISSN 0908-5351, Vol. 6, no 10, p. 9-44Article in journal (Refereed)
  • 4.
    Bäcklund, Jan
    The Royal Danish Academy of Fine Arts, Denmark.
    Det reciproke plagiat: Charlataneri og negativ identitet hos Elmyr de Hory i anledning af Orson Welles' F for Fake2013In: Passepartout - Skrifter for kunsthistorie, ISSN 0908-5351, no 34, p. 170-188Article in journal (Refereed)
    Abstract [en]

    Orson Welles’ last film, F for Fake from 1973, not only doubles several figures from Clifford Irving’s biography of the forger Elmyr de Hory, the character ‘Orson Welles’ doubles the character ‘Elmyr de Hory’ as well in their common denominator as charlatans> Orson as a non-filming movie-maker, Elmyr as a non-artist painter and draughtsman. Whereas this for Orson was an intentional ambition in his film-making, it seems for Elmyr to have been an unintentional involutarism. As most artists, Elmyr strived for recognition of his own works under his own name. The problem was, however, that he did not have any real identity. With regard to quality, Hory could not really see the difference between a Modigliani portrait painted by Modigliani in 1910’s and another Modigliani portrait by Elmyr. This indifference towards the logic of artistic fame, established by different avantgardes, Hory probably had in common with all our lesser known artists, who thought that aesthetical qualities could be exchanged to artistic value. Elmyr’s paradoxical success – starting with Clifford Irving’s biography and Orson Welles’ film – illuminates a strategy for traditional or mediocre artists, to test artistic value, with a type of retrogardian chock-effect: reciprocal plagiarism.

  • 5.
    Bäcklund, Jan
    Linnaeus University, Faculty of Arts and Humanities, Department of Music and Art.
    Liderliga paragrafer till en socialestetik1996In: Passepartout - Skrifter for kunsthistorie, ISSN 0908-5351, Vol. 4, no 7, p. [7]-[28]Article in journal (Other (popular science, discussion, etc.))
  • 6.
    Bäcklund, Jan
    Linnaeus University, Faculty of Arts and Humanities, Department of Music and Art.
    Spelets regler: Försök till konstprofeti i en efter-sibyllinsk tid2000In: Passepartout - Skrifter for kunsthistorie, ISSN 0908-5351, Vol. 8, no 15, p. 121-136Article in journal (Refereed)
  • 7. Liepe, Lena
    Medeltiden ’hands-on’2005In: Passepartout - Skrifter for kunsthistorie, ISSN 0908-5351, Vol. 25, p. 114-125Article in journal (Other academic)
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