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  • 1.
    Askerfjord, Christer
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Tid för film: Introduktion av konceptet diegetisk tid genom en jämförande analys av filmerna The Magnificent Seven och The Wild Bunch.2016Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Filmer, texter och andra former av beskrivningar skildrar både den tid de beskriver och den tid då de produceras, både medvetet och omedvetet. För att analysera och jämföra dessa båda berättarnivåer i filmer krävs tydliga metoder och effektiva verktyg. Begreppen diegetisk tid, icke-diegetisk tid och meta-diegetisk tid introduceras i uppsatsen som verktyg för att förenkla och effektivisera analysarbetet och presentationen av tid i och kring film. Som stöd för användningen av begreppen analyseras och jämförs två västernfilmer som producerades under perioden från mitten av 1950-talet till slutet av 1960-talet. De två filmerna som analyseras är The Magnificent Seven (7 vågade livet, John Sturges, 1960) och The Wild Bunch (Det vilda gänget, Sam Peckinpah, 1969).

  • 2.
    Askerfjord, Christer
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Working on a dream: Arbetarklass, arbetare och arbete som motiv i ett urval av Bruce Springsteens texter 1973-842018Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Bruce Springsteen is often referred to a as the blue collar or working man’s poet but how can he represent the working class since he only worked in manual labor for a week of his life? This paper tries to analyse how selected texts between 1973-84 are related to working class litterature and how this is perceived from the perspective of work and the worker. The analysis show that there are no general definitions regarding workingclass that can be used as a model or reference to working class literature. An alternative definition is based on reception and how the texts are read and perceived as working class by the reader. The findings are that Springsteen uses work and the worker in a very limited way in his texts and when he does, work is often something that is required to be able to do something else. It is only in a few cases Springsteen actually describes the work and the workers as for example in “Factory” and “Working on the Highway”.

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  • vancouver
  • Other style
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  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
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  • Other locale
More languages
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  • html
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