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  • 101. Ståhl, Ola
    'To Blow into that Freezing Night': John Coltrane’s ‘Sheets of Sound’ and the Actualization of a Dissentient Potential2005In: Presented at: The Living Thought of Gilles Deleuze, Copenhagen Business School, 2005Conference paper (Other academic)
    Abstract [en]

    The mode of improvisation, which Coltrane developed in the late 1950’s for a short period with his own band into the early 1960s, comprised a particular technique where scales are played very fast, over rapid chord changes and advanced substitutions, so that it appears as if entire scales, all possible combinations and variations, are played simultaneously, in a ferocious tempo, rupturing, opening up, both harmonic and rhythmic lines and patterns to a wider field of potential.

    This proposed paper takes this mode of improvisation – what Ira Girtler once referred to as Coltrane’s ‘sheets of sound’ – as its point of departure and attempts to explore it in terms of the actualization of virtual potentials within the context both of Coltrane’s later developments in modal and free form jazz, and the historical and socio-political situation in the USA at the time, which saw the emergence of more radical and militant forms of left-wing and civil rights activism. Drawing upon the writing of Spinoza, in particular the relation between the two notions of substantia and potentia, and some of the ideas around virtuality and actualization put forth by Deleuze and Guattari, the paper attempts to link Coltrane’s music to this socio-political terrain not by means of interpretation or historical determination, but by delineating the site of an expanded aesthetics, operating through the virtual, through the actualization of virtual potentials, which is inexorably, albeit at times not obviously, linked also to a radical ethical and political program.

  • 102.
    Ståhl, Ola
    et al.
    University of the Arts London, UK ; Collective CREative Dissent C.CRED ; The alt.SPACE Network of Artist Research Groups.
    Chapman, Neil
    University of Falmouth, UK.
    BLOODCRYSTALPOLLENSTAR2010In: Deleuze and Contemporary Art / [ed] Simon O'Sullivan, Stephen Zepke, Edinburgh: Edinburgh University Press, 2010, p. 286-309Chapter in book (Other academic)
    Abstract [en]

    Francesco Kulla approaches the lighthouse. Its white crystal eye marks a termination of his journey. And the other, the ruby eye, object of his devotion, was the sign that he should first depart. He has been on the road for years, perhaps decades. In any event, when he tells it, he will exaggerate. Proceeding step by step, always in the same dirt-black suit, always barefoot.² Now with a baseball cap, pilfered, its caption: ‘Can I buy you a drink or do you just want the cash?’ Soiled, his hair beneath it, the same. Without shoes but with head protected. 

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  • 103. Ståhl, Ola
    et al.
    Chapman, Neil
    Falmouth University, UK.
    BLOODCRYSTALPOLLENSTAR2011Conference paper (Other academic)
    Abstract [en]

    This presentation explores the creative and critical potentials of a collaborative and performative writing practice which has its origins in diverse disciplines. It engages with the work of Gilles Deleuze and Félix Guattari’s on levels both conceptual and methodological. 

    In our recent jointly-produced work (‘BLOODCRYSTALPOLLENSTAR’, Deleuze and Contemporary Art, eds. O’Sullivan & Zepke, University of Edinburgh Press, 2010.), we set out to engage with a series of concepts taken from Deleuze & Guattari's work in a set of interlinked fictions. Throughout the text, however, a kind of image appears, which seems to disrupt the work while continuing to affirm its creative and critical process.  In Deleuze and Guattari’s writing, too, such images appear and are posed against the conventions of philosophy’s discipline. These mutant images are not insignificant elements, we propose. In their tenacious disruption they can be shown more clearly to be constitutive of critical work. Our presentation takes this methodological insight and questions its potential in a practice assembled differently, with components of art, literature, performance and philosophy. Departing from a series of moments in our previous text, it mobilises the resistance encountered when the mutating force of the image is exposed, doing so to propose a future for creative work.  

  • 104.
    Tahiri, Diana
    Linnaeus University, Faculty of Social Sciences, Department of Social Studies.
    Ett liv mellan två världar: En kvalitativ studie om pojkar och mäns exitprocesser ur en hedersrelaterad kontext: Uttifrån yrkesverksammas perspektiv.2019Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    In recent years honor-related violence and oppression have been increasingly discussed and noted in Sweden, which in turn has contributed to increased competence among professionals at national, regional and local levels. This interest, for example, has led the County Administrative Board Östergötland since 2005, on behalf of the Swedish government, to promote and provide support for regional efforts. Among other things, they have been able to identify success factors of preventive work, continued need work and the identification of particularly vulnerable groups. According to the County Administrative Board Östergötland assessment basis, it appears that boys and men as well as LGBTQ persons are considered particularly vulnerable. Young boys and men are vulnerable, on the one hand, as victims of gender-based oppression, on the other, as possible perpetrators of gender-based oppression. LGBTQ people, on the other hand, fear being subjected to forced marriage, and to end up in the lowest position in the current family hierarchy.

     

    This study is based on five professional workers, where they work with young boys and men who are influenced by standards of honor. Among my respondents are four coaches who works with preventative work, and one social worker who works in a school where honor-related violence and oppression have occurred. I use two theoretical models. First of all, Raewyn Connell´s theories about Masculinities(2005) where I try to capture how masculinity norms and values ​​can answer the guys' vulnerability. 

    The first model is followed by Helen Rose Fuchs Ebaugh theoretical model called Becoming an Ex- the Process of Role-Exit (1988) where we gradually follow the four phases that young boys and men go through in the role violation. The empirical analysis has shown that becoming an ex is complicated, partly because the young boys have a form of loyalty to the family, partly because of the awareness that they are subjected to gender-based oppression. The first step to a role exit begins when the young boys come in contact with the professionals, and begin to reflect on the concept of honor, its meaning and problems. It is at this stage that their unconscious feelings become conscious and as the first steps in the role exit process begin to take shape. In summary, the process is a complicated one, because many experiences a sense of loyalty as well as anxiety over time

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  • 105.
    Åberg, Linnéa
    Linnaeus University, Faculty of Technology, Department of Informatics.
    Social media i företaget: Användning och upplevelser2017Independent thesis Basic level (degree of Bachelor), 180 HE creditsStudent thesis
    Abstract [en]

    Social media is used actively in today's society and the development is expeditious. Even more users join in and subscribe to all the different platforms that today's internet usage seems to circle around and accordingly it becomes an attractive place for companies to publish material with hope in getting an increased spread. This work has attended relevant concepts and their meaning so that companies can experience successful marketing through social media.

    The research has been circling the theory called Social Network Theory that has handled the communication within a specific network. A number of methods was used to examine experience and opinion amongst today's companies and how they stand for the continuous change that is happening on the market and amongst existing clients. The result was then presented with the belonging diskussion to determine how useful social media is within the company and if it has been beneficial to the business and the relationship to customers. 

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