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  • 451.
    Åberg, Anders
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Filmvetenskap.
    Ett viktigt bidrag till ungdomens fostran: Barn och film i Sverige 1905–19502004In: Rapportserien Centrum för kulturforskning, ISSN 1652-3938, no 2, p. 59–91-Article in journal (Other academic)
  • 452.
    Åberg, Anders
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Her Body, His Self: Authorship and Gender in I Am Curious (Yellow) and I Am Curious (Blue)2016In: Swedish Cinema and the Sexual Revolution: Critical Essays / [ed] Elisabet Björklund, Mariah Larsson, Jefferson, North Carolina: McFarland, 2016, 1, p. 49-60Chapter in book (Refereed)
  • 453.
    Åberg, Anders
    Linnaeus University, Faculty of Arts and Humanities, Department of Film and Literature.
    Lars Görling (1931–1966)2014In: Till Harry från...: Dedikationer i Harry Martinsons bibliotek / [ed] Gunilla Aldén, Johnny Karlsson, Bertil Knoester, Åke Widfeldt, Vekerum: Vekerum förlag , 2014, p. 60-61Chapter in book (Other (popular science, discussion, etc.))
  • 454. Åberg, Anders
    Nittiotalism: En snitslad bana genom tio år av dramaproduktion på SVT2000In: Filmhäftet, ISSN 0345-3057, Vol. 28, no 109 (1/2000), p. 23–31-Article in journal (Other (popular science, discussion, etc.))
  • 455.
    Åberg, Anders
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Olle Hellbom2012In: Historical Dictionary of Scandinavian Cinema / [ed] John Sundholm, Isak Thorsen, Lars Gustaf Andersson, Olof Hedling, Gunnar Iversen and Birgir Thor Møller, Lanham, Toronto, Plymouth UK: Scarecrow Press, 2012, 1, p. 196-196Chapter in book (Other academic)
  • 456.
    Åberg, Anders
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Remaking the National Past: The Uses of Nostalgia in the Astrid Lindgren Films of the 1980s and 1990s2011In: Beyond Pippi Longstocking: Intermedial and International Aspects of Astrid Lindgren's Works / [ed] Bettina Kümmerling-Meibauer & Astrid Surmatz, New York & London: Routledge, 2011, 1, p. 73-86Chapter in book (Refereed)
  • 457.
    Åberg, Anders
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Saltkråkan som TV-serie, bok och film2011In: Starkast i världen!: Att arbeta med Astrid Lindgrens författarskap i skolan / [ed] Helene Ehriander & Maria Nilsson, Lund: BTJ Förlag , 2011, p. 152-163Chapter in book (Other (popular science, discussion, etc.))
  • 458.
    Åberg, Anders
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Seacrow Island: Mediating Arcadian Space in the Folkhem Era and Beyond2010In: Regional Aesthetics: Locating Swedish Media / [ed] Erik Hedling, Olof Hedling & Mats Jönsson, Stokholm: National Library of Sweden , 2010, p. 125-140Chapter in book (Other academic)
  • 459.
    Åberg, Anders
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Filmvetenskap.
    Tabu: Filmaren Vilgot Sjöman2001Doctoral thesis, monograph (Other academic)
    Abstract [sv]

    This thesis is a thematic and historical analysis of of Sjöman’s œuvre and its significance for Swedish film culture, focussing on his most important films during the 1960s and 1970s. Sjöman started as a novelist in the late 1940s, and has since then accomplished an œuvre consisting of some 60 works, mostly novels, plays, essays, and films.

    Sjöman is best known as a film director. In 1962, Sjöman’s first film, Älskarinnan (The Mistress), opened to great acclaim. Sjöman was greeted as the instigator of a new wave of Swedish cinema, comparable to the French Nouvelle vague and post-war Italian cinema. Other Swedish author-directors followed Sjöman’s lead.

    Through the debate on censorship inspired by the official banning of Sjöman’s film 491, Sjöman became known as a serious, but utterly controversial film-maker, treating sexual matters in a provocative and explicit manner. His international fame rests mainly on the diptych film, Jag är nyfiken – gul (I Am Curious – Yellow), and Jag är nyfiken – blå (I Am Curious – blue), from 1967 and 1968 respectively. Sjöman here launched a kind of cinéma vérité-aesthetic, combined with a self-reflexive cinematic discourse verging on self-parody.

    At the end of the 1960s and in the 1970s, Sjöman struggled to find his proper place in the politicised cultural climate. The title of this thesis is derived from a film released in 1977, Tabu (Taboo). The film was scandalous, its allegory of leftist political activism deemed unacceptable. After Tabu, Sjöman never really recovered as a director. His films tended to be unattractive for the general audience, and, as opposed to his earlier work, they have had no real impact on the discourses of Swedish contemporary cinema and culture in general.

  • 460.
    Åberg, Anders
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    The Reception of Vilgot Sjöman's Curious films2010In: Swedish Film: An Introduction and Reader / [ed] Mariah Larsson & Anders Marklund, Lund: Nordic Academic Press, 2010, 1, p. 243-255Chapter in book (Other academic)
  • 461.
    Åberg, Anders
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities.
    Vacanza all'isola dei gabbiani: La creazione e la diffusione di un paradiso estivo svedese2009In: Infanzia, ISSN 0390-2420, no 6, p. 409-413Article in journal (Other academic)
  • 462.
    Åberg, Anders
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Vilgot Sjöman2012In: Historical Dictionary of Scandinavian Cinema / [ed] John Sundholm, Isak Thorsen, Lars Gustaf Andersson, Olof Hedling, Gunnar Iversen and Thor Møller, Lanham, Toronto, Plymouth UK: Scarecrow Press, 2012, 1, p. 345-346Chapter in book (Other academic)
  • 463.
    Åberg, Anders
    Växjö University, Faculty of Humanities and Social Sciences, School of Humanities. Filmvetenskap.
    Vägs ände: Anteckningar om Vilgot Sjömans Tabu1999In: Mannen med filmkameran: Studier i modern film och filmisk modernism, Litteraturvetenskapliga institutionen, Lund , 1999, p. 160–169-Chapter in book (Other academic)
  • 464.
    Åberg, Anders
    et al.
    Linnaeus University, Faculty of Humanities and Social Sciences, School of Language and Literature.
    Bergström, Åsa
    Från rännsten till förort: Etnicitet, klass och könsroller i tre svenska barnfilmsmelodramer 1944–20062012In: Barnlitteraturens värden och värderingar / [ed] Sara Kärrholm och Paul Tenngart, Lund: Studentlitteratur AB, 2012, 1, p. 289-314Chapter in book (Other academic)
78910 451 - 464 of 464
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