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  • 51.
    Liepe, Lena
    University of Oslo, Norway.
    The Materialistic Turn2014In: Exhibition materialities: Workshop 10th – 11th of June 2014, 2014Conference paper (Other academic)
  • 52. Liepe, Lena
    The Multi-materiality of St. George and the Dragon2013In: Art, Cult and Patronage: Die visuelle Kultur im Ostseeraum zur Zeit Bernt Notkes / [ed] Uwe Albrecht, Anu Mänd, Kiel: Verlag Ludwig, 2013, p. 199-207Chapter in book (Refereed)
  • 53.
    Liepe, Lena
    University of Oslo, Norway.
    The Presence of the Sacred: Relics in Medieval Wooden Statues of Scandinavia2014In: Paint and Piety: Collected Essays on Medieval Painting and Polychrome Sculpture / [ed] Noëlle Lynn Wenger Streeton, Kaja Kollandsrud, London: Archetype Publications Ltd., 2014, p. 39-50Chapter in book (Refereed)
  • 54.
    Liepe, Lena
    University of Tromsø, Norway.
    The Radical Alterity of the Past: On the Representation of Sexuality in Medieval Imagery2001In: Representing: Gender, Ethnicity and Nation in Word and Image / [ed] Karin Granqvist, Ulrike Spring, Tromsø: Universitetet i Tromsø , 2001, p. 23-40Chapter in book (Other academic)
  • 55.
    Liepe, Lena
    Linnaeus University, Faculty of Arts and Humanities, Department of Music and Art.
    The Study of the Iconography and Iconology of Medieval Art: A Historiographic Survey2018In: The Locus of Meaning in Medieval Art: Iconography, Iconology, and Interpreting the Visual Imagery of the Middle Ages / [ed] Lena Liepe, Kalamazoo: Medieval Institute Publications, 2018, p. 16-45Chapter in book (Refereed)
  • 56.
    Liepe, Lena
    Lund University.
    The ’Törringe Master’ and his School: Ten Crucifixes in New Light1994In: Figur und Raum: Mittelalterliche Holzbildwerke im historischen und kunstgeographischen Kontext : Akten des Internationalen Colloquiums auf der Blomenburg bei Selent (7. - 10. Oktober 1992) / [ed] Uwe Albrecht, Jan von Bonsdorff, Berlin: Dietrich Reimer Verlag, 1994, p. 81-90Chapter in book (Other academic)
  • 57.
    Liepe, Lena
    University of Oslo, Norway.
    To wear a piece of sanctity around one’s neck: Relic jewellery and the role of privately owned relics in medieval devotion2016In: The Cult of Saints in the Archdiocese of Niðaróss and its European Context: Institutt for arkeologi, konservering og historie, Universitetet i Oslo, 2016Conference paper (Other academic)
  • 58.
    Liepe, Lena
    University of Oslo, Norway.
    Veck och blick: Att se form i medeltida träskulptur2012In: Kunst og kultur, ISSN 0023-5415, E-ISSN 1504-3029, Vol. 95, no 3, p. 120-129Article in journal (Refereed)
    Abstract [en]

    Ever since the development in the late nineteenth century of style criticism into a major analytical tool of art history scholarship, the examination of drapery and folds has played an important role in the study of medieval sculpture. An often abstract, formalistic terminology has been developed for the description and classifcation of folds. Practitioners with experience of handling textiles and making period costumes, on the other hand, view the renderings of costume in medieval art with different eyes. In this article, the expert knowledge of a medievalist historian cum seamstress is made use of for a survey of a number of Swedish and Norwegian twelfth and thirteenth-century sculptures of seated Virgins, in order to fnd out to what extent the stylistically trained eye of the art historian might beneft from insights gained from the «hands-on» experience of the makers of medieval costumes.

  • 59.
    Liepe, Lena
    Lund University.
    ’Veni de Libano, veni coronaberis’: Bildprogrammen i de äldsta skånska altarskåpen1999In: Billeder i middelalderen: Kalkmalerier og altertavler / [ed] Lars Bisgaard, Tore Nyberg, Leif Søndergaard, Odense: Odense Universitetsforlag, 1999, p. 77-93Chapter in book (Other academic)
12 51 - 59 of 59
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