''Quarenta Clics em Curitiba" is a rare, almost unprecedented, collaborative photobook of Brazilian literature. Its structure - with loose, unnumbered pages - hinders any attempt of reading them in an already established sequence. Because it prevents the creation of privileged focus of attention, since its many possible sequences suggest different narrative structures, the book "recreates" on the reader the feeling of a procrastination through the city, immersed in trivial events. We present this complex intermediatic phenomenon, and analyze briefly some examples of the "dense coupling" between verbal poetry of Paulo Leminsky and the photography of Jack Pires.